Jesus Christ -- Fiction; Religious fiction; United States -- Social life and customs -- 20th century -- Fiction
"And do you mean to say you aren't going to do anything to this cursed
Baptist? What are the laws good for, anyhow?"
Herod grinned. "They're good for nothing when an election's only six
months off."
The woman tried to speak; she could not. "It's a damned shame," she
cried out, at last, still in the same hoarse voice.
Salome turned her head. "Oh, mamma," she said, "how awfully vulgar."
The mother glared at the daughter. She looked as though she were about
to speak, but she only said, "Pshaw!"
There was a minute or two of silence. Herod stood with his hands in his
pockets. "Was Corry King here, do you know?" he said, at last.
Herodias shook her head. Then Herod turned away and walked across
the room towards the library. Just as he was about to quit the room,
Herodias spoke again. "Did you get that box for the opera to-night?"
He stopped at the door and turned. "Yes, I did," he said.
"Did you leave orders for the carriage?"
"Yes; I ordered it for eight o'clock, sharp." Then he went on out of
the room.
III
THE PRIESTS AND THE LEVITES
MR. THEODORE CAIAPHAS was rector of the Church of the Advent. It
was said of that church that when the congregation were all at
the sanctuary and seated in their places the building contained a
representation of capital equivalent to a billion dollars of wealth.
It is hardly necessary to describe the Church of the Advent, for nearly
everybody knows of it; even those who do not live in the metropolis
have seen pictures of it. It occupied, with the rectory, half a square
of ground in one of the most valuable parts of the city. It was
estimated that if the land on which it stood were covered all over with
ten-dollar bills, an approximate value of the real estate would just
about be represented. The church itself was an architectural triumph,
within and without. It was built of white marble, carved elaborately
and exquisitely; the four large windows cost it cannot be told how many
thousands of dollars, and the interior decorations were all that art
could make them. The church was connected with the rectory by a glazed
cloister of exquisite proportions, and the rectory itself, retired well
back from the street behind parti-colored beds of flowering plants,
was in perfect keeping with the church. The great plate-glass windows
looked out across the little lawn upon the busy street where the
thunder of life was forever passing and repassing.
Public-domain text, read in full here on John Shaqi.
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