Epistolary fiction, English -- History and criticism; Rape victims in literature; Richardson, Samuel, 1689-1761. Clarissa
Mr. _Belford's_ Letters prove, that he acts the second Part under Mr.
_Lovelace_; he follows the Paths the other beats through the thorny
Labyrinths of wild Libertinism; he has not the lively Humour of
_Lovelace_, altho' in Understanding I think he has rather the Advantage;
and his not being quite so lively, is owing to his not giving such a
loose to every unbridled Fancy; but he has less Pride, and consequently
more Humanity: this appears in the many Arguments he makes use of to his
Friend in favour of _Clarissa_; but these Arguments, as they are only
the Produce of sudden Starts of Compassion, and have no fixed Principle
for their Basis, could have no Weight with _Lovelace_; and the
fluctuating of a Mind sometimes intruded upon by the Force of
Good-nature, and then again actuated by the Principles of Libertinism,
is finely set before us by _Belford's_ Writings. And as there is a great
Beauty throughout the whole of _Clarissa_, in the specific Difference of
Stile preserved by every Writer, so is there an inimitable Beauty in
_Belford_ differing from himself, when he changes the State of his Mind;
his Stile accompanies that Change, and he appears another Man. He was
always more of the true Gentleman in his Stile than _Lovelace_, because
his Will was not enough overbearing to break through all Bounds; but
when his Mind is softned by the many different Deaths he is witness of,
and he becomes animated by _Clarissa's_ Example to think in earned of
reforming his Life, the Gentleman and the Christian increase together,
till he becomes at once the Executor of _Clarissa's_ Will, and, if I may
be allowed the Expression, the Heir to her Principles.
In _Lovelace's_ Stile, his Humour, his Parts, his Pride, his wild Desire
of throwing Difficulties in his own way, in order to conquer them, and
exercise his own intriguing Spirit, break forth in every Line. His
impetuous Will, unrestrained from his Infancy, as he himself complains,
by his Mother, and long accustomed to bear down all before it, destroys
the Gentleman, and equally every other amiable Qualification: For tho' a
Knowledge of the Customs of the World may make a Man in Company, where
he stays but a little while, appear polite; yet when that Man indulges
himself in gratifying continually his own wild Humour, those who are
intimate with him, must often have Cause to complain of his
Unpoliteness; as _Clarissa_ does of _Lovelace_. And by such Complaints
of _Clarissa_, I think it is very apparent, that the Author designed
_Lovelace_ should be unpolite, notwithstanding his Station, in order to
prove that indulged overbearing Passions will trample under Foot every
Bar that would stop them in their raging Course. But now I am upon the
Subject of the different Stiles in _Clarissa_, I must observe how
strictly the Author has kept up in all the Writings of his Rakes to what
he says of _Lovelace_ in his Preface.
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