Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation — John Shaqi
Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and InterpretationHurll, Estelle M. (Estelle May)
History
Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation
Hurll, Estelle M. (Estelle May)
Rembrandt Harmenszoon van Rijn, 1606-1669
Whatever the reason, he surprised Joseph at the last moment by showing
a preference for the younger of the two grandsons, Ephraim, expressing
this preference by laying the right hand, instead of the left, on his
head. The blessing was spoken in these solemn words: "God, before whom
my fathers Abraham and Isaac did walk, the God which fed me all my
life long unto this day, the Angel which redeemed me from all evil,
bless the lads."
[Illustration: ISRAEL BLESSING THE SONS OF JOSEPH
_Cassel Gallery_]
The narrative relates[3] that "When Joseph saw that his father laid
his right hand upon the head of Ephraim, it displeased him; and he
held up his father's hand, to remove it from Ephraim's head unto
Manasseh's head. And Joseph said unto his father, 'Not so, my father:
for this is the first-born; put thy right hand upon his head.' And his
father refused, and said, 'I know it, my son, I know it: he also shall
become a people, and he also shall be great; but truly his younger
brother shall be greater than he, and his seed shall become a
multitude of nations.' And he blessed them that day, saying, 'In thee
shall Israel bless, saying, God make thee as Ephraim, and as
Manasseh;' and he set Ephraim before Manasseh."
[Footnote 3: Genesis, chapter xlviii. verses 17-20.]
As we compare the picture with the story, it is easy to identify the
figures. We are naturally interested in Joseph as the hero of so many
romantic adventures. As a high Egyptian official, he makes a dignified
appearance and wears a rich turban. His face is gentle and amiable, as
we should expect of a loving son and forgiving brother.
In the old man we see the same Jacob who wrestled by night with the
Angel and was redeemed from his life of selfishness. The same strong
face is here, softened by sorrow and made tender by love. The years
have cut deep lines of character in the forehead, and the flowing
beard has become snowy white.
The dying patriarch has "strengthened himself," to sit up on the bed
for his last duty, and his son Joseph supports him. The children kneel
together by the bedside, the little Ephraim bending his fair head
humbly to receive his grandfather's right hand, Manasseh looking up
alertly, almost resentfully, as he sees that hand passing over his own
head to his brother's. Joseph's wife Asenath, the children's mother,
stands beyond, looking on musingly. We see that it is a moment of very
solemn interest to all concerned. Though the patriarch's eyes are dim
and his hand trembles, his old determined spirit makes itself
manifest. Joseph is in perplexity between his filial respect and his
solicitude for his first-born. He puts his fingers gently under his
father's wrist, trying to lift the hand to the other head. The mother
seems to smile as if well content. Perhaps she shares the
grandfather's preference for little Ephraim.
Public-domain text, read in full here on John Shaqi.
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