Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and InterpretationHurll, Estelle M. (Estelle May)
History
Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation
Hurll, Estelle M. (Estelle May)
Rembrandt Harmenszoon van Rijn, 1606-1669
The pictures we have examined thus far in this collection have been
reproductions from Rembrandt's paintings. You will see at once that
the picture of the Rat Killer is of another kind. The figures and
objects are indicated by lines instead of by masses of color. You
would call it a drawing, and it is in fact a drawing of one kind, but
properly speaking, an etching. An etching is a drawing made on copper
by means of a needle. The etcher first covers the surface of the metal
with a layer of some waxy substance and draws his picture through this
coating, or "etching ground," as it is called. Next he immerses the
copper plate in an acid bath which "bites," or grooves, the metal
along the lines he has drawn without affecting the parts protected by
the etching ground.
The plate thus has a picture cut into its surface, and impressions of
this picture may be taken by filling the lines with ink and pressing
wet paper to the surface of the plate. You will notice that the
difference between the work of an engraver and that of an etcher is
that the former cuts the lines in his plate with engraving tools,
while the latter only draws his picture on the plate and the acid cuts
the lines. The word etching is derived from the Dutch _etzen_, and
the most famous etchers in the world have been among Dutch and German
artists.
Rembrandt is easily first of these, and we should have but a limited
idea of his work if we did not examine some of his pictures of this
kind. Impressions made directly from the original plates, over two
centuries ago, are, of course, very rare and valuable, and are
carefully preserved in the great libraries and museums of the world.
There is a collection in the Museum of Fine Arts, Boston, where this
etching of the Rat Killer may be seen.
The Rat Killer is one of many subjects from the scenes of common life
which surrounded the artist. In smaller towns and villages, then as
well as now, there were no large shops where goods were to be bought.
Instead, all sorts of peddlers and traveling mechanics went from house
to house--the knife grinder, the ragman, the fiddler, and many others.
This picture of the Rat Killer suggests a very odd occupation. The
pest of rats is, of course, much greater in old than in new countries.
In Europe, and perhaps particularly in the northern countries of
Holland and Germany, the old towns and villages have long been
infested with these troublesome creatures.
[Illustration: THE RAT KILLER
_Museum of Fine Arts, Boston_]
There are some curious legends about them. One relates how a certain
Bishop Hatto, as a judgment for his sins, was attacked by an army of
rats which swam across the Rhine and invaded him in his island tower,
where they made short work of their victim.[4] Another tells how a
town called Hamelin was overrun with rats until a magic piper appeared
who so charmed them with his enchanted music that they gathered about
him and followed his leading till they came to the river and were
drowned.[5]
Public-domain text, read in full here on John Shaqi.
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