Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation — John Shaqi
Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and InterpretationHurll, Estelle M. (Estelle May)
History
Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation
Hurll, Estelle M. (Estelle May)
Rembrandt Harmenszoon van Rijn, 1606-1669
"And Joseph and his mother marveled at those things which were spoken
of him. And Simeon blessed them, and said unto Mary his mother, Behold
this child is set for the fall and rising again of many in Israel; and
for a sign which shall be spoken against; that the thought of many
hearts may be revealed."
[Illustration: THE PRESENTATION IN THE TEMPLE
_The Hague Gallery_]
In the picture we find ourselves, as it were, among the worshippers in
the temple, looking at the group on the pavement in front of us--Mary
and Joseph and Simeon, kneeling before a priest, with two or three
onlookers. It is a Gothic cathedral, in whose dim recesses many people
move hither and thither. At the right is a long flight of steps
leading to a throne, which is overshadowed by a huge canopy. At the
top of the steps we see the high priest seated with hands
outstretched, receiving the people who throng up the stairway. It was
towards this stairway that Mary and Joseph were making their way,
when the aged Simeon first saw them, and recognized in the child
they carried the one he had long expected. Taking the babe from his
mother's arms, he kneels on the marble-tiled pavement and raises his
face to heaven in thanksgiving. His embroidered cymar, or robe, falls
about him in rich folds as he clasps his arms about the tiny swaddled
figure.
Mary has dropped on her knees beside him, listening to his words with
happy wonder. Joseph, just beyond, looks on with an expression of
inquiry. He carries two turtle doves as the thank offering required of
the mother by the religious law. His unkempt appearance and bare feet
contrast with the neat dress of Mary. The tall priest standing before
them extends his hands towards the group in a gesture of benediction.
A broad ray of light gleams on his strange headdress, lights up his
outstretched hand, and falls with dazzling brilliancy upon the soft
round face of the babe, the smiling mother, and the venerable Simeon
with flowing white hair and beard.
There are but few people to pay any heed to the strange incident. Two
or three of those who climb the stairway turn about and stare
curiously at the group below. There are three others still more
interested. One man behind puts his turbaned head over Simeon's
shoulders, peering inquisitively at the child, as if trying to see
what the old man finds so remarkable in him. Beyond, two old beggars
approach with a sort of good-natured interest. They are quaintly
dressed, one of them wearing a very tall cap. Such humble folk as
these alone seem to have time to notice others' affairs.
Public-domain text, read in full here on John Shaqi.
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