Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and InterpretationHurll, Estelle M. (Estelle May)
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Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation
Hurll, Estelle M. (Estelle May)
Rembrandt Harmenszoon van Rijn, 1606-1669
A succession of portraits shows that the painter continued to paint
his wife with loving pride. He represented her as a Jewish bride, as
Flora, as an Odalisque, a Judith, a Susanna, and a Bathsheba. There is
one painting of the husband and wife together, Saskia perched like a
child on Rembrandt's knee, as he flourishes a wine-glass in the air.
In another picture (an etching) they sit together at a table about the
evening lamp, the wife with her needle-work, the artist with his
engraving. The love between them is the brightest spot in Rembrandt's
history, clouded as it was with many disappointments and troubles. As
a celebrated writer has expressed it, Saskia was "a ray of sunshine in
the perpetual chiaroscuro of his life."
XI
THE SORTIE OF THE CIVIC GUARD, OR THE NIGHT WATCH
The patriotism of the Dutch is seen through the entire history of
"brave little Holland." Early in the sixteenth century every town of
considerable size had a military company composed of the most
prominent citizens. Each company, or guild, had a place of assembly,
or _doelen_, and a drilling-ground. The officers were chosen for a
year, and the highest appointments were those of captain, lieutenant,
and ensign. Upon these civic guards rested the responsibility of
maintaining the order and safety of the town. Sterner duties than
these were theirs when in the late sixteenth century (1573), at the
call of William of Orange, the various guilds formed themselves into
volunteer companies to resist the Spanish. How well they acquitted
themselves is a matter of history, and Spain recognized the republic
in the treaty of 1609. After the war, many of the corporations were
reorganized and continued to be of great importance in the seventeenth
century.
The picture we have here represents the Civic Guard of Amsterdam
during the captaincy of Frans Banning Cocq in 1642. Cocq was a man of
wealth and influence who had purchased the estate of Purmerland in
1618 and had also been granted a patent of nobility. So it was natural
that Lord Purmerland, one of the most distinguished citizens of the
town, should be called to a term of office as captain of the Civic
Guard. His magnificent stature and manly bearing show him well fitted
for the honor.
Public-domain text, read in full here on John Shaqi.
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