Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and InterpretationHurll, Estelle M. (Estelle May)
History
Rembrandt: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation
Hurll, Estelle M. (Estelle May)
Rembrandt Harmenszoon van Rijn, 1606-1669
It was Rembrandt's way when painting a portrait to give life and
reality to the figure, by showing the leading element in the character
or occupation of the person. Thus his shipbuilder is designing a ship,
the writing master, Coppenol, is mending a pen, the architect has his
drawing utensils, and the preacher his Bible. So in the Civic Guard
each man carries a weapon, and the figures are united in spirited
action. All this artistic motive was lost upon those for whom the
picture was painted, because of their petty vanity. So the great
painting, now so highly esteemed, was not a success at the time.
In the following century it was removed to the town hall; and in order
to fit it into a particular place on the wall, a strip was cut off
each side the canvas. It is the loss of these margins which gives the
composition the crowded appearance which so long seemed a strange
fault in a great artist like Rembrandt.
The original colors of the painting grew so dark with the accumulation
of smoke in the hall that the critics supposed the scene occurred at
night, hence the incorrect name of the Night Watch was given to it.
Since the picture was cleaned, in 1889, it is apparent that the
incident occurred in the daytime, and if you look carefully you can
plainly see the shadow of Captain Cocq's hand on the lieutenant's
tunic.
XII
PORTRAIT OF JAN SIX
When the painter Rembrandt came to Amsterdam in 1631, a young man
seeking his fortune in the great city, a lad of twelve years was
living in his father's country seat, near by, who was later to become
one of his warm friends. This was Jan Six, the subject of the portrait
etching reproduced here. There was a great contrast in the
circumstances of life in which the two friends grew up. Rembrandt was
the son of a miller, and had his own way to make in the world. Jan Six
was surrounded from his earliest years with everything which tended to
the gratification of his natural taste for culture. Rembrandt's rare
talent, however, overbalanced any lack of early advantages, and made
him a friend worth having.
Public-domain text, read in full here on John Shaqi.
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