Anthonie-sluis” in Amsterdam, seen from the North. Rembrandt’s home (_plate 16_) stood in the immediate vicinity of this spot. After the drawing by A. Waterloo, in the Fodor Museum, Amsterdam. Plate 18. The “doelenstraat” In Amsterdam (old situation) The receding building, behind the low wall with gate, on the right, is the “Doelen” for which Rembrandt painted “The Night Watch.” The house where the master lived in 1636 was next to the house seen on the extreme right. The tower seen above the roof is the one sketched by Rembrandt (_plate 12_). Compare also _plate 20_ After the drawing by R. Vinkeles in the Archives in Amsterdam Plate 19. The Back of the Houses in the “Doelenstraat” in Amsterdam. The narrow house in the middle, two windows wide, is, although rebuilt, the one where Rembrandt lived in 1636. To the left, part of Messrs. Frederk Muller & Co.’s aution and exhibition rooms. Plate 20. The Tower “Swyght-Utrecht” and the Backs of the Houses of the “Doelenstraat” in Amsterdam. The third house from the tower must be the one occupied by Rembrandt in 1636. After an engraving by van Meurs of about 1660. Plate 21. The Old Exchange in Amsterdam. After an engraving by Cl. Jz. Visscher. Plate 22. The Inn Called “de Keizers Kroon” In The Kalverstraat, Amsterdam. Here Rembrandt’s collections were sold by auction, after his bankruptcy, in 1657 and 1058. After an anonymous drawing in the Archives in Amsterdam. Plate 23. The House Of Mr. F. Banning Cocq (the Captain And Prominent Person In Rembrandt’s “Night-watch”) In Amsterdam After an anonymous drawing in the family archives of Jhr. D. de Graeff at The Hague Plate 24. The Star of the Kings. Children before a street door on Epiphany-evening. After the drawing by Rembrandt, in the British Museum, London. Salting Bequest. Plate 25. Children Refore A Street Door: The One In The Middle With A “Rommelpot”. After the drawing by Rembrandt, in the British Museum, London Plate 26. A Quacksalver on a Market-Place. After the drawing by Rembrandt. In the collection of Frederich August II, in Dresden. Plate 27. Portrait Of Jan Lutma. From an impression, in the First State, of Rembrandt’s etching, in the Museum of Fine Arts, Boston. [Plan of the City of Amsterdam about 1650] PLAN OF THE CITY OF AMSTERDAM ABOUT 1650 MAP KEY [image] Line indicating the extension of the town, started during the last ten years of Rembrandt’s life.