Alamo (San Antonio, Tex.) -- Siege, 1836 -- Fiction; Texas -- History -- Revolution, 1835-1836 -- Fiction; War stories; Western stories
“Keep your tongue still, Rachela. Ah! if you strike me, I will go to
my father. He will not permit it. I am not a child to be struck and
scolded, and told when to open and shut my eyes. I shall do as my sister
does, and the Holy Mother herself will be satisfied with me!”
“Chito! Chito!! You wicked one! Oh, Maria Santissima, cast on this child
a look of compassion! The American last night has bewitched her! I said
that he looked like a Jew.”
“I am not wicked, Rachela; and gracias a Dios, there is no Inquisition
now to put the question!”
Isabel was in a great passion, or the awful word that had made lips
parch and blanch to utter it for generations would never have been
launched at the offending woman’s head. But its effect was magical.
Rachela put up her hands palm outwards, as if to shield herself from
a blow, and then without another word stooped down and tied the satin
sandals on Isabel’s restless feet. She was muttering prayers during the
whole action, for Isabel had been quick to perceive her advantage,
and was following it up by a defiant little monologue of rebellious
speeches.
In the midst of this scene, Antonia entered. She was dressed for the
carriage, and the carriage stood at the door waiting; but her face was
full of fear, and she said, hurriedly:
“Rachela, can you not make some excuse to my mother which will permit us
to remain at home? Hark! There is something wrong in the city.”
In a moment the three women were on the balcony, intently, anxiously
listening. Then they were aware of a strange confusion in the subtle,
amber atmosphere. It was as if they heard the noise of battle afar
off; and Rachela, without a word, glided away to the Senora. Isabel and
Antonia stood hand in hand, listening to the vague trouble and the echo
of harsh, grating voices, mingled with the blare of clarions, the roll
of drums, and the rattle of scattering rifle-shots. Yet the noises were
so blended together, so indistinct, so strangely expressive of both
laughter and defiance, that it was impossible to identify or describe
them.
Suddenly a horseman came at a rapid pace towards the house, and Antonia,
leaning over the balcony, saw him deliver a note to Rachela, and then
hurry away at the same reckless speed. The note was from the doctor to
his wife, and it did not tend to allay their anxiety. “Keep within the
house,” it said; “there are difficulties in the city. In an hour or two
I will be at home.”
But it was near midnight when he arrived, and Antonia saw that he was
a different man. He looked younger. His blue eyes shone with the
light behind them. On his face there was the impress of an invincible
determination. His very walk had lost its listless, gliding tread, and
his steps were firm, alert and rapid.
Public-domain text, read in full here on John Shaqi.
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