Authors, Russian -- 19th century -- Biography; Chekhov, Anton Pavlovich, 1860-1904
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Chekhov's cottage in Yalta stood nearly outside the town, right on the
white and dusty Antka road. I do not know who had built it, but it was
the most original building in Yalta. All bright, pure, light,
beautifully-proportioned, built in no definite architectural style
whatsoever, with a watch-tower like a castle, with unexpected gables,
with a glass verandah on the ground and an open terrace above, with
scattered windows--both wide and narrow--the bungalow resembled a
building of the modern school, if there were not obvious in its plan the
attentive and original thought, the original, peculiar taste of an
individual. The bungalow stood in the corner of an orchard, surrounded
by a flower-garden. Adjoining the garden, on the side opposite the road
was an old deserted Tartar cemetery, fenced with a low little wall;
always green, still and unpeopled, with modest stones on the graves.
The flower garden was tiny, not at all luxurious, and the fruit orchard
was still very young. There grew in it pears and crab-apples, apricots,
peaches, almonds. During the last year the orchard began to bear fruit,
which caused Anton Pavlovitch much worry and a touching and childish
pleasure. When the time came to gather almonds, they were also gathered
in Chekhov's orchard. They usually lay in a little heap in the
window-sill of the drawing room, and it seemed as if nobody could be
cruel enough to take them, although they were offered.
Anton Pavlovitch did not like it and was even cross when people told him
that his bungalow was too little protected from the dust, which came
from the Antka road, and that the orchard was insufficiently supplied
with water. Without on the whole liking the Crimea, and certainly not
Yalta, he regarded his orchard with a special, zealous love. People saw
him sometimes in the morning, sitting on his heels, carefully coating
the stems of his roses with sulphur or pulling weeds from the flower
beds. And what rejoicing there would be, when in the summer drought
there at last began a rain that filled the spare clay cisterns with
water!
But his love was not that of a proprietor, it was something else--a
mightier and wiser consciousness. He would often say, looking at his
orchard with a twinkle in his eye:
"Look, I have planted each tree here and certainly they are dear to me.
But this is of no consequence. Before I came here all this was waste
land and ravines, all covered with stones and thistles. Then I came and
turned this wilderness into a cultivated, beautiful place. Do you
know?"--he would suddenly add with a grave face, in a tone of profound
belief--"do you know that in three or four hundred years all the earth
will become a flourishing garden. And life will then be exceedingly
light and comfortable."
Public-domain text, read in full here on John Shaqi.
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