Authors, Russian -- 19th century -- Biography; Chekhov, Anton Pavlovich, 1860-1904
Once in the summer, availing myself of A. P.'s good humor, I took
several photographs of him with a little camera. Unfortunately the best
of them and those most like him turned out very pale, owing to the weak
light of the study. Of the others, which were more successful, A. P.
said as he looked at them:
"Well, you know, it is not me but some Frenchman."
I remember now very vividly the grip of his large, dry and hot hand,--a
grip, always strong and manly but at the same time reserved, as if it
were consciously concealing something. I also visualize now his
handwriting: thin, with extremely fine strokes, careless at first sight
and inelegant, but, when you look closer, it appears very distinct,
tender, fine and characteristic, as everything else about him.
IV
A. P. used to get up, in the summer at least, very early. None even of
his most intimate friends saw him carelessly dressed, nor did he approve
of lazy habits, like wearing slippers, dressing gowns or light jackets.
At eight or nine he was already pacing his study or at his writing
table, invariably impeccably and neatly dressed.
Evidently, his best time for work was in the morning before lunch,
although nobody ever managed to find him writing: in this respect he was
extraordinarily reserved and shy. All the same, on nice warm mornings he
could be seen sitting on a slope behind the house, in the cosiest part
of the place, where oleanders stood in tubs along the walls, and where
he had planted a cypress. There he sat sometimes for an hour or longer,
alone, without stirring, with his hands on his knees, looking in front
of him at the sea.
About midday and later visitors began to fill the house. Girls stood for
hours at the iron railings, separating the bungalow from the road, with
open mouths, in white felt hats. The most diverse people came to
Chekhov: scholars, authors, Zemstvo workers, doctors, military,
painters, admirers of both sexes, professors, society men and women,
senators, priests, actors--and God knows who else. Often he was asked to
give advice or help and still more often to give his opinion upon
manuscripts. Casual newspaper reporters and people who were merely
inquisitive would appear; also people who came to him with the sole
purpose of "directing the big, but erring talent to the proper, ideal
side." Beggars came--genuine and sham. These never met with a refusal. I
do not think it right, myself, to mention private cases, but I know for
certain that Chekhov's generosity towards students of both sexes, was
immeasurably beyond what his modest means would allow.
Public-domain text, read in full here on John Shaqi.
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