He died simply, pathetically, and fully conscious. They say his last words were: "Ich sterbe." And his last days were darkened by a deep sorrow for Russia, and by the anxiety of the monstrous Japanese war. His funeral comes back to mind like a dream. The cold, grayish Petersburg, a mistake about a telegram, a small gathering of people at the railway station, "Wagon for oysters," in which his remains were brought from Germany, the station authorities who had never heard of Chekhov and saw in his body only a railway cargo.... Then, as a contrast, Moscow, profound sorrow, thousands of bereaved people, tear-stained faces. And at last his grave in the Novodevitchy cemetery, filled with flowers, side by side with the humble grave of the "Cossack's widow, Olga Coocaretnikov." I remember the service in the cemetery the day after his funeral. It was a still July evening, and the old lime trees over the graves stood motionless and golden in the sun. With a quiet, tender sadness and sighing sounded the women's voices. And in the souls of many, then, was a deep perplexity. Slowly and in silence the people left the cemetery. I went up to Chekhov's mother and silently kissed her hand. And she said in a low, tired voice: "Our trial is bitter.... Antosha is dead." O, the overwhelming depth of these simple, ordinary, very Chekhovian words! The enormous abyss of the loss, the irrevocable nature of the great event, opened behind. No! Consolations would be useless. Can the sorrow of those, whose souls have been so close to the great soul of the dead, ever be assuaged? But let their unquenchable anguish be stayed by the consciousness that their distress is our common distress. Let it be softened by the thought of the immortality of his great and pure name. Indeed: there will pass years and centuries, and time will efface the very memory of thousands and thousands of those living now. But the posterity, of whose happiness Chekhov dreamt with such fascinating sadness, will speak his name with gratitude and silent sorrow for his fate. A. P. CHEKHOV BY I. A. BUNIN I made Chekhov's acquaintance in Moscow, towards the end of '95. We met then at intervals and I should not think it worth mentioning, if I did not remember some very characteristic phrases. "Do you write much?" he asked me once. I answered that I wrote little. "Bad," he said, almost sternly, in his low, deep voice. "One must work ... without sparing oneself ... all one's life." And, after a pause, without any visible connection, he added: "When one has written a story I believe that one ought to strike out both the beginning and the end. That is where we novelists are most inclined to lie. And one must write shortly--as shortly as possible." Then we spoke of poetry, and he suddenly became excited. "Tell me, do you care for Alexey Tolstoy's poems? To me he is an actor. When he was a boy he put on evening dress and he has never taken it off."