"Anthony de Brossard, Lord of St. Martin and St. Brice, gentleman to
Charles d'Artois, Count of Eu, a prince of noble blood royal, finding
this art so considerable, that understanding it did not derogate from
their nobility, obtained a grant in the year 1453 to establish a
glass-house in his country, with prohibition of any other, and several
other privileges he had annexed to it. The family and extraction of
this Sieur de Brossard was considerable enough to bring him here as an
example. The right of making glass being so honorable, since the elder
sons of the family of Brossard left it off, the younger have taken it
up, and continue it to this day. Messieurs de Caqueray, also gentlemen
of ancient extraction, obtained a right of glass-making, which one of
their ancestors contracted by marriage in the year 1468 with a daughter
of Anthony de Brossard, Lord of St. Martin, that gentleman giving half
of his right for part of her fortune, which was afterwards confirmed in
the Chamber of Accounts. Messieurs Valliant, an ancient family of
gentlemen, also obtained a grant of a glass-house for recompense of
their services, and for arms a Poignard d'Or on azure, which agrees
with their name and tried valor. Besides these families, who still
continue to exercise this art, there are the Messieurs de Virgille, who
have a grant for a little glass-house. Messieurs de la Mairie, de
Suqrie, de Bougard, and several others, have been confirmed in their
nobility during the late search in the year 1667.
"We have, moreover, in France, several great families, sprung from
gentlemen glass-makers who have left the trade, among whom some have
been honored with the purple and the highest dignities and offices."
Enough is recorded to show in what estimation the art was held in
France by the government and people of that period; and it is in nowise
wonderful that an art invested with so much distinction, conducted with
so much secrecy, and characterized with so great a degree of romantic
interest, should have given rise to strange reports and legends,
hereafter to be referred to.
The writer referred to above states that there were two modes of
manufacturing glass. One he denominates that of the "Great
Glass-Houses," the other the "Small Glass-Houses." In the large houses
the manufacture of window-glass, and bottles for wine or other liquors,
was carried on. He states:--
Public-domain text, read in full here on John Shaqi.
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