In many of these tools we perceive the same general characters as mark
those in use now. In some, improvements have been effected; while
others are quite obsolete. It is quite curious to observe the etymology
of many of the technical terms of the art in use at the present day.
The name of the present polished iron table, _i.e._ the MARVER, is
derived from the practice of the Italians and French in using slabs of
polished marble. The iron now called the _punty_, from the Italian
_ponteglo_. The tool now called _percellas_, from the word _porcello_.
In fact, nearly all the technical terms in the glass manufacture,
appertaining to the tool or furnace, are derived from the Italian. By
referring to the drawing, we see that the tool marked A is the
blow-iron, that marked B the punty-iron. Their character plainly
indicates that the work made on them must have been confined to small
or light articles. C, the scissors, D, the shears, correspond to those
used at the present day. The tool marked E was used to finish part of
their work. F and G were their large and small ladles,--the small used
to take off the then called alkalic salt, showing that they were
troubled with an excess of this in their time. The shovel, then called
stockle, marked H, was used to carry glass articles to the annealing
oven, forks not being then in use. The crooked iron I was used to stir
up the metal in the pots. The tool L was used to form or hold large
articles, their punty-iron not having sufficient strength. The tool M
was used to carry flat articles to the annealing ovens. The tool N was
used in refining their alkalic salts, and served to take off the salt
as crystallized in course of its manufacture.
Public-domain text, read in full here on John Shaqi.
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