Glass resists the action of all acids except the "fluoric." It loses
nothing in weight by use or age. It is more capable than all other
substances of receiving the highest degree of polish. If melted seven
times over and properly cooled in the furnace, it will receive a polish
rivalling almost the diamond in brilliancy. It is capable of receiving
the richest colors procured from gold or other metallic coloring, and
will retain its original brilliancy of hue for ages. Medals, too,
embedded in glass, can be made to retain forever their original purity
and appearance.
Another singular property of glass is shown in the fact, that when the
furnace, as the workmen term it, is settled, the metal is perfectly
plain and clear; but if by accident the metal becomes too cool to work,
and the furnace heat required to be raised, the glass, which had before
remained in the open pots perfectly calm and plain, immediately becomes
agitated or boiling. The glass rises in a mass of spongy matter and
bubbles, and is rendered worthless. A change is however immediately
effected by throwing a tumbler of water upon the metal, when the
agitation immediately ceases, and the glass assumes its original quiet
and clearness.
All writers upon the subject of glass manufacture fail to show anything
decisive upon the precise period of its invention. Some suppose it to
have been invented before the flood. Nervi traces its antiquity to the
yet problematical time of Job.
It seems clear, however, that the art was known to the Egyptians
thirty-five hundred years since; for records handed down to us in the
form of paintings, hieroglyphics, &c., demonstrate its existence in the
reign of the first Osirtasen, and existing relics in glass, taken from
the ruins of Thebes, with hieroglyphical data, clearly place its
antiquity at a point fifteen centuries prior to the time of Christ.
Mr. Kennett Loftus, the first European who has visited the ancient
ruins of Warka, in Mesopotamia, writes thus: "Warka is no doubt the
Erech of Scripture, the second city of Nimrod, and it is the Orchoe of
the Chaldees. The mounds within the walls afford subjects of high
interest to the historian; they are filled, or I may say composed, of
coffins piled upon each other to the height of forty-five feet."
"The coffins are of baked clay, covered with green glaze, and embossed
with the figures of warriors, &c., and within are ornaments of gold,
silver, iron, copper, and _glass_."
Public-domain text, read in full here on John Shaqi.
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