Reminiscences of Prince Talleyrand, Volume 2 (of 2)Colmache, M., active 19th century
History
Reminiscences of Prince Talleyrand, Volume 2 (of 2)
Colmache, M., active 19th century
Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
“‘His head sank upon his bosom as he concluded, and he once more
relapsed into his abstracted musing. I made no observation regarding
the singular forgetfulness of which he had been guilty, nor of the
want of attention on the part of the V—— family, in not inviting me
themselves to the villa, but seized with avidity upon the opportunity
thus afforded of penetrating the secret of my brother’s altered
demeanour. I already knew Count Hercules, a studious and pious youth,
who was considered a pattern for the whole country. I had also
frequently seen the Abbé Giordoni, the preceptor, towards whom I felt
an instinctive aversion, although railed at by my friends for my too
great facility, in “taking dislikes;” but there yet remained one member
of the V—— family whom I had not yet beheld, and a sudden conviction
seized my mind, that she was the cause of my brother’s misery, and
that it was her name at which he had hesitated in his speech to me. I
was therefore determined to watch every look, to listen to every word,
which should pass between the pair, and to base my counsels to my
brother upon what I should observe.
“‘At the hour appointed, we set forth to pay our evening visit at the
villa. The gloom and pre-occupation of my brother increased as we drew
near to our destination, and I began to doubt if such would have been
the bearing of an impassioned expectant lover.
“‘We entered the great saloon unannounced. Cesario was free and
intimate as a _fils de la maison_. The room was large, and dimly
lighted by the shaded lamp upon the mantelpiece. The old count was
buried in a slumber in his large arm-chair, and his grey head stood
out from the fauteuil, calm and peaceful, the very emblem of contented
and respectable old age. Not so was the expression of the individual
who was seated near, and upon whom the light of the lamp fell, as if
on purpose to light up the shadow which was passing at the very moment
over his countenance—a very gleam of hell! It was the Abbé Giordoni,
who was seated at the small table, ostensibly playing chess with
the young Count Hercules—that is to say, the chess-board was placed
between them, and the chess-men stood upright upon the board; but I
instantly perceived that not one single piece had been disturbed from
its primitive position, and it was evident that their occupation was of
far more import, for the young man sat pale and trembling before the
abbé, whose infuriated countenance and vehement gesture plainly bespoke
the violence of the discussion in which he had been engaged, although I
could not judge of its nature, from the low tone in which it had been
carried on, doubtless through fear of disturbing the poor old count,
who slumbered on, little dreaming of the storm of hate and passion
which had been conjured up close at his very ear.
Public-domain text, read in full here on John Shaqi.
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