"A man is supposed to improve by going out into the world, by visiting London. Artificial man does, he extends with his sphere; but, alas! that sphere is microscopic; it is formed of minutiae, and he surrenders his genuine vision to the artist, in order to embrace it in his ken. His bodily senses grow acute, even to barren and inhuman pruriency; while his mental become proportionally obtuse. The reverse is the man of mind. He who is placed in the sphere of nature and of God, might be a mock at Tattersall's and Brookes's, and a sneer at St. James's: he would certainly be swallowed alive by the first Pizarro that crossed him; but when he walks along the river of Amazons; when he rests his eye on the unrivalled Andes: when he measures the long and watered savannah, or contemplates from a sudden promontory, the distant, vast Pacific, and feels himself in this vast theatre, and commanding each ready produced fruit of this wilderness, and each progeny of this stream--his exaltation is not less than imperial. He is as gentle too as he is great: his emotions of tenderness keep pace with his elevation of sentiment; for he says, 'These were made by a good Being, who, unsought by me, placed me here to enjoy them.' He becomes at once a child and a king. His mind is in himself; from hence he argues and from hence he acts, and he argues unerringly, and acts magisterially. His mind in himself is also in his God; and therefore he loves, and therefore he soars.'" As these pages are designed, by brief incidental notices, to furnish a view of the Literature of Bristol during a particular portion of time; and having introduced the name of Ann Yearsley, I here, in reference to her, subjoin a few additional remarks. * * * * * I was well acquainted with Ann Yearsley, and my friendship for Hannah More did not blind my eyes to the merits of her opponent. Candour exacts the acknowledgment that the Bristol Milkwoman was a very extraordinary individual. Her natural abilities were eminent, united with which, she possessed an unusually sound masculine understanding; and altogether evinced, even in her countenance, the unequivocal marks of genius. If her education and early advantages had been favourable, there is no limiting the distinction to which she might have attained; and the respect she did acquire, proves what formidable barriers may be surmounted by native talent when perseveringly exerted, even in the absence of those preliminary assistances which are often merely the fret-work, the entablature, of the Corinthian column.