France -- Social life and customs -- 19th century -- Fiction
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The French Classical Romances
Complete in Twenty Crown Octavo Volumes
Editor-in-Chief
EDMUND GOSSE, LL.D.
With Critical Introductions and Interpretative Essays by
HENRY JAMES PROF. RICHARD BURTON HENRY HARLAND
ANDREW LANG PROF. F. C. DE SUMICHRAST
THE EARL OF CREWE HIS EXCELLENCY M. CAMBON
PROF. WM. P. TRENT ARTHUR SYMONS MAURICE HEWLETT
DR. JAMES FITZMAURICE-KELLY RICHARD MANSFIELD
BOOTH TARKINGTON DR. RICHARD GARNETT
PROF. WILLIAM M. SLOANE JOHN OLIVER HOBBES
[Illustration: (signed) J. de Goncourt]
DE GONCOURT
RENEE MAUPERIN
Translated from the French by Alys Hallard
With a Critical Introduction by James Fitzmaurice-Kelly
A Frontispiece and Numerous Other Portraits with Descriptive
Notes by Octave Uzanne
P. F. Collier & Son
New York
Copyright, 1902
by D. Appleton & Company
EDMOND AND JULES DE GONCOURT
I
The partnership of Edmond and Jules de Goncourt is probably the most
curious and perfect example of collaboration recorded in literary
history. The brothers worked together for twenty-two years, and the
amalgam of their diverse talents was so complete that, were it not for
the information given by the survivor, it would be difficult to guess
what each brought to the work which bears their names. Even in the light
of these confidences, it is no easy matter to attempt to separate or
disengage their literary personalities. The two are practically one.
_Jamais ame pareille n'a ete mise en deux corps._ This testimony is
their own, and their testimony is true. The result is the more
perplexing when we remember that these two brothers were, so to say, men
of different races. The elder was a German from Lorraine, the younger
was an inveterate Latin Parisian: "the most absolute difference of
temperaments, tastes, and characters--and absolutely the same ideas, the
same personal likes and dislikes, the same intellectual vision." There
may be, as there probably always will be, two opinions as to the value
of their writings; there can be no difference of view concerning their
intense devotion to literature, their unhesitating rejection of all that
might distract them from their vocation. They spent a small fortune in
collecting materials for works that were not to find two hundred
readers; they passed months, and more months, in tedious researches the
results of which were condensed into a single page; they resigned most
of life's pleasures and all its joys to dedicate themselves totally to
the office of their election. So they lived--toiling, endeavouring,
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