France -- Social life and customs -- 19th century -- Fiction
One morning, her father, who was with her in the garden, was watching
her. She was amusing herself with cutting away the old roses in a clump
of white rose-bushes. The sunshine made its way through the straw of her
large hat, and the brilliancy of the light and the softness of the shade
rested on her thin little face. She moved about gaily and briskly from
one rose-tree to another, and the thorns caught hold of her dress as
though they wanted to play with her. At every clip of her scissors, from
a branch covered with small, open roses, with pink hearts all full of
life, there fell a dead earth-coloured rose which looked to M. Mauperin
like the corpse of a flower.
All at once, leaving everything, Renee flung herself into her father's
arms.
"Oh, papa, how I do love you!" she said, bursting into tears.
XLVIII
From that day the improvement began to disappear again. She gradually
lost the healthy colour which life's last kiss had brought to her
cheeks. She no longer had that delightful restlessness of the
convalescent, that longing to move about which only a short time ago had
made her take her father's arm constantly for a stroll. No more gay
words sprang from her mind to her lips, as they had done at first when
she had forgotten for a time all suffering; there was no more of the
happy prattle which had been the result of returning hope. She was too
languid to talk or even to answer questions.
"No, there's nothing the matter with me--I am all right;" but the words
fell from her lips with an accent of pain, sadness, and resignation.
She suffered from tightness of breath now, and constantly felt a weight
on her chest, which her respiration had difficulty in lifting. A sort of
constraint and vague discomfort, caused by this, made itself felt
throughout her whole system, attacking her nerves, taking from her all
vital energy and all inclination to move about, keeping her crushed and
submissive, without any strength to fight against it or to do anything.
Her father persuaded her to try the effect of a cupping-glass.
XLIX
She took off her shawl in that slow way peculiar to invalids, so slow
that it seems painful. Her trembling fingers felt about for the buttons
that she had to unfasten, her mother helped her to take off the flannel
and cotton-wool in which she was wrapped, leaving her poor thin neck and
arms bare.
She looked at her father, at the lighted candle, the twisted paper and
the wine-glasses, with that dread that one feels on seeing the hot irons
or fire being prepared for torturing one's flesh.
"Am I right like this?" she asked, trying to smile.
"No, you want to be in this position," answered M. Mauperin, showing her
how to sit.
Public-domain text, read in full here on John Shaqi.
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