France -- Social life and customs -- 19th century -- Fiction
She turned round on her arm-chair, put her two hands on the back of it
and her cheek down on her hand, pulled her legs up, crossed her feet,
and, half-kneeling and half-crouching, only showed the profile of her
frightened face and her bare shoulders. She looked ready for the coffin
with her bony angles. Her hair, which was very loose, glided with the
shadow down the hollow of her back. Her shoulder-blades projected, the
joints of her spine could be counted, and the point of a poor thin
little elbow appeared through the sleeves of her under-linen, which had
fallen to the bend of her arm.
"Well, father?"
He was standing there, riveted to the spot, and he did not even know of
what he was thinking. At the sound of his daughter's voice he picked up
a glass, which he remembered belonged to a set he had bought for a
dinner-party in honour of Renee's baptism. He lighted a piece of paper,
threw it into the glass, and closed his eyes as he turned the glass
over. Renee gave a little hiss of pain, a shudder ran through all the
bones down her back, and then she said:
"Oh, well; I thought it would hurt me much more than that."
M. Mauperin took his hand from the glass and it fell to the ground; the
cupping had not succeeded.
"Give me another," he said to his wife.
Mme. Mauperin handed it to him in a leisurely way.
"Give it me," he said, almost snatching it from her. His forehead was
wet with perspiration, but he no longer trembled. This time the vacuum
was made: the skin puckered up all round the glass and rose inside as
though it were being drawn by the scrap of blackened paper.
"Oh, father! don't bear on so," said Renee, who had been holding her
lips tightly together; "take your hand off."
"Why, I'm not touching it--look," said M. Mauperin, showing her his
hands.
Renee's delicate white skin rose higher and higher in the glass, turning
red, patchy, and violet. When once the cupping was done the glass had to
be taken away again, the skin drawn to the edge on one side of the
glass, and then the glass swayed backward and forward from the other
side. M. Mauperin was obliged to begin again, two or three times over,
and to press firmly on the skin, near as it was to the bones.
L
Disease does its work silently and makes secret ravages in the
constitution. Then come those terrible outward changes which gradually
destroy the beauty, efface the personality, and, with the first touches
of death, transform those we love into living corpses.
Public-domain text, read in full here on John Shaqi.
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