An immense light fell over the water, lying dormant here, flashing there, making the silvery streaks in the shadow of the boats tremble, touching up a mast or a rudder, or resting on the orange-coloured handkerchief or pink jacket of a washerwoman. The country, the outskirts of the town, and the suburbs all met together on both sides of the river. There were rows of poplar trees to be seen between the houses, which were few and far between, as at the extreme limit of a town. Then there were small, tumble-down cottages, inclosure's planked round, gardens, green shutters, wine-trade signs painted in red letters, acacia trees in front of the doors, old summer arbors giving way on one side, bits of walls dazzlingly white, then some straight rows of manufactories, brick buildings with tile and zinc-covered roofs, and factory bells. Smoke from the various workshops mounted straight upward and the shadow of it fell in the water like the shadows of so many columns. On one stack was written "Tobacco," and on a plaster facade could be read "Doremus Labiche, Boats for Hire." Over a canal which was blocked up with barges, a swing-bridge lifted its two black arms in the air. Fishermen were throwing and drawing in their lines. The sound of wheels could be heard, carts were coming and going. Towing-ropes scraped along the road, which was hard, rough, black, and dyed all colours by the unloading of coal, mineral refuse, and chemicals. From the candle, glucose, and fecula manufactories and sugar-refining works which were scattered along the quay, surrounded by patches of verdure, there was a vague odour of tallow and sugar which was carried away by the emanations from the water and the smell of tar. The noise from the foundries and the whistle of steam engines kept breaking the silence of the river. It was like Asnieres, Saardam, and Puteaux combined, one of those Parisian landscapes on the banks of the Seine such as Hervier paints, foul and yet radiant, wretched yet gay, popular and full of life, where Nature peeps out here and there between the buildings, the work and the commerce, like a blade of grass held between a man's fingers. "Isn't it beautiful?" "Well, to tell the truth, I am not in raptures about it. It's beautiful--in a certain degree." "Oh, yes, it is beautiful. I assure you that it is very beautiful indeed. About two years ago at the Exhibition there was an effect of this kind. I don't remember the picture exactly, but it was just this. There are certain things that I feel----" "Ah, you have an artistic temperament, mademoiselle." "Oh!" exclaimed the young girl, with a comic intonation, plunging forthwith into the water. When she appeared again she began to swim towards the boat which was advancing to meet her. Her hair had come down, and was all wet and floating behind her. She shook it, sprinkling the drops of water all round.