France -- Social life and customs -- 19th century -- Fiction
Mme. Mauperin had not given this last daughter so hearty a welcome. She
was a good wife and mother, but Mme. Mauperin was eaten up with that
pride peculiar to the provinces--namely, the pride of money. She had
made all her arrangements for two children, but the third one was not
welcome, as it would interfere with the pecuniary affairs of the other
two, and, above all, would infringe on her son's share. The division of
land which was now one estate, the partition of wealth which had
accumulated, and in consequence the lowering of social position in the
future and of the importance of the family--all this was what the second
little daughter represented to her mother.
M. Mauperin very soon had no more peace. The mother was constantly
attacking the politician, and reminding the father that it was his duty
to sacrifice himself to the interests of his children. She endeavoured
to separate him from his friends and to make him forsake his party and
his fidelity to his ideas. She made fun of what she called his
tomfoolery, which prevented him from turning his position to account.
Every day there were fresh attacks and reproaches until he was fairly
haunted by them; it was the terrible battle of all that is most prosaic
against the conscience of a Deputy of the Opposition. Finally, M.
Mauperin asked his wife for two months' truce for reflection, as he,
too, would have liked his beloved Renee to be rich. At the end of the
two months he sent his resignation in to the Chamber and opened a
sugar-refinery at Briche.
That had been twenty years ago. The children had grown up and the
business was thriving. M. Mauperin had done very well with his refinery.
His son was a barrister, his elder daughter married, and Renee's dowry
was waiting for her.
III
Every one had gone into the house, and in a corner of the drawing-room,
with its chintz hangings gay with bunches of wild flowers, Henri
Mauperin, Denoisel, and Reverchon were talking. Near to the
chimney-piece, Mme. Mauperin, with great demonstrations of affection,
was greeting her son-in-law and daughter, M. and Mme. Davarande, who had
just arrived. She felt obliged on this occasion to make a display of
family feeling and to exhibit her motherly love.
The greeting between Mme. Mauperin and Mme. Davarande was scarcely over
when a little old gentleman entered the drawing-room quietly, wished
Mme. Mauperin good-evening with his eyes as he passed, and walked
straight across to the group where Denoisel was.
This little gentleman wore a dress-coat and had white whiskers. He was
carrying a portfolio under his arm.
"Do you know that?" he asked Denoisel, taking him into a window recess
and half opening his folio.
"That? I should just think I do. It's the 'Mysterious Swing,' an
engraving after Lavrience's."
The little old gentleman smiled.
"Yes, but look," he said, and he half opened his portfolio again, but in
such a way that Denoisel could only just see inside.
Public-domain text, read in full here on John Shaqi.
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