Domestic fiction; Impostors and imposture -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction; Wills -- Fiction
“That’s so,” Sandy said, recalling with a shudder his experience with
Nannie. “They must not only be agreed, but they must love each other.
There must be no one-sided affair. I’ll make that plain,” and he wrote a
note which he put with his will, addressed to Reginald and Irene,
charging them, as they hoped for happiness in this world and heaven in
the next, not to enter into matrimony with each other unless their
hearts were in it. “For be ye well assured that if any persons are
joined together otherwise than as God’s word doth allow, their marriage
is not lawful,” he wrote in conclusion. This sentence from the
prayer-book Sandy knew by heart as he did the whole of the marriage
ceremony. He had gone through with it twice and had repeated it to
himself many and many a time when he thought it was to be Nannie
standing by his side. This done he felt that he had performed his duty
to his two wives by trying to bring their great-grandchildren together
and giving them his money. It was due them, he thought, because Nannie
had always stood between them and himself, and Irene was a distant
relative and had her eyes and voice, and he ought to leave her
something, as he must show respect to both his wives.
When he was first engaged to Nannie he had a very good likeness made of
her by an artist sketching in the neighborhood, and after her death this
was enlarged into a life-sized portrait, said by those who had known the
girl to be very natural, especially the eyes. This picture hung in the
drawing-room between the portraits of the first and second Mrs.
McPherson, who looked rather stiff and prim and wholly unlike Nannie,
with her soft brown hair and grayish-blue eyes, which followed one with
a wistful, pathetic look, whose meaning Sandy understood as he had not
when she was living. Many times a day Sandy stood before the portrait,
studying the face and comparing it with that of the girl seen in New
London. “They are alike,” he would say to himself, feeling more and more
satisfied with his will. Several cautious inquiries he made at intervals
with regard to Irene, hearing always the same report that she was sweet
and pure and womanly; “not burdened with brains enough to make her
strong-minded, but she is altogether lovely,” one of her teachers wrote
to him of her; and he was satisfied in the belief that he had done well
for the young couple, and he was planning to bring them together without
their knowing his intentions, when death came suddenly, and on his
ninetieth birthday he was found dead in his bed, with a lock of Nannie’s
hair on the table beside him, and under his pillow a miniature of her,
which had been made in Dresden from a photograph of the portrait in the
drawing-room. They buried the miniature and the hair with the old man
beside poor Nannie and between her and his first wife. They found the
will and the whole town buzzed with its contents, wondering who Irene
Burdick was and how she would take it and how Reginald Travers would
take it.
Public-domain text, read in full here on John Shaqi.
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