Domestic fiction; Impostors and imposture -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction; Wills -- Fiction
My head aches with crying so much over old Tom’s letter and I must
stop. Shall expect you on Saturday. Aunt Mary is off for Saratoga
some time next week, and the house will be closed. With love,
“Rena.”
This letter found Irene Burdick at her home in Claremont, which she
hated, rebelling against it and the station of life in which she had
been born and resolving to get out of it by marrying for money, if she
could do so, and marrying without it, if she could not. “And with my
face I ought to get money,” she would say, when contemplating herself in
her mirror, which showed her a grand specimen of beautiful young
womanhood with scarcely a flaw in her makeup. She was very tall and
erect, with a splendid physique, telling of perfect health and spirits.
Unlike Rena, she was a decided blonde, with regular features and fair
hair, which she wore à la Pompadour, with wide braids supplemented with
false ones coiled around her head like a coronet. In her neck one or two
short loose curls occasionally strayed from the mass of braids as if by
accident, and with no hint of the time spent in giving them their
careless appearance. Everything Irene did was done for effect, and there
was nothing natural about her. Reared in poverty, she early learned to
cater to the whims and wishes of people whose notice she wished to
attract. What they thought and believed, she believed and thought; while
her skilful hands and active, well-balanced brain were always ready to
help in any emergency. To Rena’s slightest wish she was a slave—toady,
Tom called her, and Rena repaid her with a love which saw no fault in
her. Nothing could dissuade her from her faith in and affection for
Irene, who seemed to return the love bestowed upon her. She had heard of
the will which affected Rena so unpleasantly and like her had wished
that she might have been born the step-great-granddaughter of Sandy
McPherson, instead of one of many children where there was a constant
fight for daily bread. Her father was overseer in a cotton mill, where
one of her brothers worked and where she, too, had once been employed
for several months. How she loathed the thought of it, with the roar of
the machinery, the heat and close air, and the associates around her.
“Factory bugs,” some called them, and she was one of them, and despised
herself for it, and when after Rena received her Uncle Reuben’s legacy
she wrote offering to pay her cousin’s expenses at the same school with
herself, she turned her back on Claremont and the factory, and for three
years was a student with Rena at a young ladies’ school in New York. For
nearly every good which had come into her life she was indebted to Rena,
who had paid for her trip to Europe and the rather elaborate wardrobe
she had bought in Paris and which was to do her good service now in the
rôle marked out for her. She heard of the plan with a great deal of
pleasure.
Public-domain text, read in full here on John Shaqi.
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