Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
It happened one day, somewhere about the year 1485, that he was called
to examine a group of Bacchus and a Faun, recently brought from Naples
by the banker Neri Altoviti, of the family which once owned a charming
house, recently destroyed, whose triple row of pillared balconies used
to put an odd Florentine note into the Papal Rome, turning the swirl of
the Tiber opposite Saint Angelo's into a reach of the Arno. The houses
of the Altovitis in Florence were in that portion of the town most
favoured by the fifteenth century, already a little way from the market:
the lion on the tower of the Podestà, and the Badia steeple printing the
sky close by; while not far off was the shop where the good bookseller
Vespasiano received orders for manuscripts, and conversed with the
humanists whose lives he was to write. The Albizis and Pandolfinis,
illustrious and numerous families, struck in so many of their members by
the vindictiveness of the Medicis, had their houses in the same quarter,
and at the corner of the narrow street hung the carved escutcheon--two
fishes rampant--of the Pazzis: their house shut up and avoided by the
citizens, who had so recently seen the conspirators dangling in hood and
cape from the windows of the public palace. The house of the Altovitis
was occupied on the ground floor by great warehouses, whose narrow,
grated windows were attainable only by a steep flight of steps. The
court was surrounded on three sides by a cloister or portico, which
repeated itself on the first and second floors, with the difference that
the lowest arches were supported by rude square pillars, ornamented
with only a carved marigold, while the uppermost weighed on stout oaken
shafts, between which ropes were stretched for the drying of linen; and
the middle colonnade consisted of charming Tuscan columns, where Sirens
and Cupids and heraldic devices replaced the acanthus or rams' horns of
the capitals. It was to this middle portion of the house that Domenico
ascended up a noble steep-stepped staircase, protected from the rain
by a vaulted and rosetted roof, for it was external and occupied the
side of the yard left free from cloisters. The great banker had bidden
Domenico to his midday meal, which was served with a frugality now fast
disappearing, but once habitual even among the richest Florentines. But
though the food was simple and almost scanty, nearly forty persons sat
down to meat together, for Neri Altoviti held to the old plan, commended
by Alberti in his dialogue on the governing of a household, that the
clerks and principal servants of a merchant were best chosen among his
own kinsfolk, living under his roof, and learning obedience from the
example of his children. Despite this frugality, the dining-room was,
though bare, magnificent. There were none of those carpets and Eastern
stuffs which surprised strangers from the North in the voluptuous little
palaces of contemporary Venetians, and the benches were hard and narrow.
Public-domain text, read in full here on John Shaqi.
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