Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
But the ceiling overhead was magnificently arranged in carved compartments,
great gold sunflowers and cherubs projecting from a dark blue ground
among the brown raftering; in the middle of the stencilled wall was one
of those high sideboards so frequently shown in old paintings, covered
with gold and silver dishes and platters embossed by the most skilful
craftsmen; and at one end a great washing trough and fountain, such as
still exist in sacristies, ornamented with groups of dancing children
by Benedetto da Maiano; while behind the high seat of the father of
the family a great group of saints, emerging from blooming lilies and
surrounded by a glory of angels, was hanging in a frame divided into
carved compartments: the work, panel and frame, of the late Brother
Filippo Lippi. At one end of the board sat all the men, arranged
hierarchically, from the father in his black loose robe to lads in short
plaited tunic and striped hose; the womankind were seated together, and
the daughters, even the mother of the house, modest and almost nunlike
in apparel and head-dress, would rise and help to wait on the men, with
that silent and grave courtesy which, according to Vespasiano, had
disappeared from Florence with Alessandra dei Bardi. There was little
speech, and only in undertones; a Franciscan said a long grace, and
afterwards, and in the middle of the meal, a young student, educated by
the frequent munificence of the Altovitis, read out loud a chapter of
Cicero's "De Senectute;" for Neri, although a busy banker, with but
little time for study, was not behind his generation in the love of
letters and philosophy.
Public-domain text, read in full here on John Shaqi.
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