Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
Up above, among the ruins of the Christian church, where they had left
their mules, it was cold and sunny, and the light seemed curiously blue,
almost grey and dusty, after the yellow illumination below. Before them,
interrupted here and there by a mass of ruined masonry, or a few arches
of aqueduct, waved the grey-green, billowy plain, where the wind, which
rolled the great winter cloud-balls overhead, danced and sang with the
tall, dry hemlocks and sere white thistles, shining and rattling like
skeletons. And on to it seemed to descend cloud-mountains, vague
blueness and darkness--cloud or hill, you could not tell which--out of
whose flank, ever and anon, a sunbeam conjured up a visionary white
resplendent city.
The short winter day was beginning to draw in when they approached
silently the city walls, solemn with their towers and gates, endless
as it seemed, and enclosing, one felt vaguely, an endless, distant,
invisible city.
The sound of its bells came as from afar to meet the sacrilegious men.
VI
The culminating sacrilege was yet to come. The place that witnessed it
remains unchanged--a half-deserted church among the silent grass-grown
lanes, the crumbling convent walls, and ill-tended vineyards of the
Aventine; a hill that has retained in Christian times a look of its
sinister fame in Pagan ones. Among the cypresses, which seem to wander
up the hillside, rises the square belfry, among whose brickwork, flushed
in the sunset, are inlaid discs of porphyry torn from some temple
pavement, and plates of green majolica brought from the East, it is
said, by pilgrims or Crusaders. The arum-fringed lane widens before the
outer wall of the church, overtopped by its triangular gable. Behind
this wall is a yard or atrium, the pavement grass-grown, the walls
stained with great patches of mildew, and showing here and there in
their dilapidation the shaft and capital of a bricked-up Ionic pillar.
The place tells of centuries of neglect, of the gradual invasion of
resistless fever; and it was fitly chosen, some fifty years ago, for the
abode of a community of Trappists. In the reign of Innocent VIII. it
was still nominally in the hands of certain Cistercians; but the fever
had long driven these monks to the more wholesome end of the hill, where
they had erected a smaller church; and the convent had served for years
as a fortress of the turbulent family of the Capranicas, one of whose
members was always the nominal abbot, with the Cardinal's hat, and title
Jervase and Protasius. And now, at the end of the fifteenth century, a
Cardinal Ascanio Capranica, famous for his struggle in magnificence and
sinfulness with the magnificent and sinful young nephews of Pope Sixtus,
had determined to restore the fortified monastery, to combat the fever
by abundant plantations, and to make the church a monument of his
splendour. And, in order to secure some benefit by his own munificence,
he had begun by commissioning Domenico Neroni to design and execute
Public-domain text, read in full here on John Shaqi.
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