Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
a sepulchre three storeys high, full of carvings, and covered with
statues, so that his soul, if sent untimely to heaven, might not be
dishonoured by the unworthy resting-place of its trusty companion, the
Cardinal's handsome and well-tended body.
This church of SS. Jervase and Protasius, which imitated, like most
churches of the early Christian period, the form of a basilica or court
of law, was constructed out of fragments of Pagan edifices, and occupied
the site of a Pagan edifice, whose columns had been employed to carry
the roof of the church, or, when of porphyry or serpentine, had been
sawed into discs for the pavement. On the slant of the hill, supporting
the apse, encircled by pillarets, is a round mass of masonry, overgrown
with ivy and ilex scrub, the remains of some antique bath or grotto;
and under the battlemented walls, the cloistered courts of the convent,
there stretches, it is said, a network of subterranean passages running
down to the Tiber. Four hundred years ago they were not to be discovered
if looked for, being completely hidden by the fallen masonry and the
cypress roots and growths of poisonous plants--nightshade, and hemlock,
and green-flowered hellebore; but wicked monks had sometimes been sucked
into them while digging the ground, or decoyed into their labyrinths by
devils. Was it possible that there had lingered on through the ages a
vague and horrified remembrance of those rites, the discovery of whose
mysterious and wide-spread abominations had frozen Rome with horror in
her most high and palmy days; and was there a connection between those
neophytes, wandering with blood-stained limbs and dishevelled locks
among the groves of the Aventine, then rushing to quench their burning
torches in the Tiber, two centuries before Christ, and the devils who
troubled the Benedictines of SS. Jervase and Protasius? These evil
spirits would appear, it had been said, in the cloisters of the convent,
processions carrying lights and garlands; and on certain nights, when
the monks were in prayer in their cells, strange sounds would issue
from the church itself, of flutes and timbrels, and demon laughter, and
demon voices chanting some unknown litany, and clearly aping the mass;
and Cardinal Capranica was blamed by many pious persons for his rash
intention of filling once more the deserted convent, and exposing holy
men to the wrath of such very pertinacious devils. Meanwhile mass upon
mass was said to clear the place of this demoniac infection. It was in
this church that the sacrilege of Domenico and Filarete rose to its
highest, and that an event took place which the men of the fifteenth
century could scarce find words to designate.
Public-domain text, read in full here on John Shaqi.
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