Renaissance in Italy, Volume 1 (of 7): The Age of the Despots — John Shaqi
Renaissance in Italy, Volume 1 (of 7): The Age of the DespotsSymonds, John Addington
History
Renaissance in Italy, Volume 1 (of 7): The Age of the Despots
Symonds, John Addington
Italy -- History; Renaissance -- Italy
In like manner we cannot refer the whole phenomena of the Renaissance to
any one cause or circumstance, or limit them within the field of any one
department of human knowledge. If we ask the students of art what they
mean by the Renaissance, they will reply that it was the revolution
effected in architecture, painting, and sculpture by the recovery of
antique monuments. Students of literature, philosophy, and theology see
in the Renaissance that discovery of manuscripts, that passion for
antiquity, that progress in philology and criticism, which led to a
correct knowledge of the classics, to a fresh taste in poetry, to new
systems of thought, to more accurate analysis, and finally to the
Lutheran schism and the emancipation of the conscience. Men of science
will discourse about the discovery of the solar system by Copernicus and
Galileo, the anatomy of Vesalius, and Harvey's theory of the circulation
of the blood. The origination of a truly scientific method is the point
which interests them most in the Renaissance. The political historian,
again, has his own answer to the question. The extinction of feudalism,
the development of the great nationalities of Europe, the growth of
monarchy, the limitation of the ecclesiastical authority and the
erection of the Papacy into an Italian kingdom, and in the last place
the gradual emergence of that sense of popular freedom which exploded in
the Revolution; these are the aspects of the movement which engross his
attention. Jurists will describe the dissolution of legal fictions based
upon the false decretals, the acquisition of a true text of the Roman
Code, and the attempt to introduce a rational method into the theory of
modern jurisprudence, as well as to commence the study of international
law. Men whose attention has been turned to the history of discoveries
and inventions will relate the exploration of America and the East, or
will point to the benefits conferred upon the world by the arts of
printing and engraving, by the compass and the telescope, by paper and
by gunpowder; and will insist that at the moment of the Renaissance all
these instruments of mechanical utility started into existence, to aid
the dissolution of what was rotten and must perish, to strengthen and
perpetuate the new and useful and life-giving. Yet neither any one of
these answers taken separately, nor indeed all of them together, will
offer a solution of the problem. By the term Renaissance, or new birth,
is indicated a natural movement, not to be explained by this or that
characteristic, but to be accepted as an effort of humanity for which
at length the time had come, and in the onward progress of which we
still participate. The history of the Renaissance is not the history of
arts, or of sciences, or of literature, or even of nations. It is the
history of the attainment of self-conscious freedom by the human spirit
manifested in the European races. It is no mere political mutation, no
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