Renaissance in Italy, Volume 2 (of 7): The Revival of LearningSymonds, John Addington
History
Renaissance in Italy, Volume 2 (of 7): The Revival of Learning
Symonds, John Addington
Humanism; Renaissance -- Italy
It is pleasant to turn from Poggio's wrangling to more honourable
passages in his biography. Since the year 1434 he had owned a farm not
far from Florence. Here he built a country residence, vying, if not in
splendour, at least in elegance, with the villas of the Florentine
burghers. He called it his Valdarniana, and adorned it with the
fragments of antique sculpture, inscriptions, and coins, collected by
him partly in person on the Roman Campagna and partly by purchase from
Greece. In the following year (1435) Poggio, then a man of fifty-five,
married a girl of eighteen, named Vaggia, of the noble Buondelmonte
blood. In forming this connection he had to separate from a mistress
who had borne him fourteen children, four of them then living. His
biographer, Shepherd, indulges in some sentimental reflections upon
the pain this leave-taking must have cost him. Yet the impartial
critic will hardly be brought to pity Poggio, seeing that he cancelled
the brief whereby he had previously legitimised his natural children,
and responded with raptures to the congratulations of friends upon his
new engagement. He had already been admitted to the burghership of
Florence, and exempted from its taxes in consideration of his literary
services; so that, on the death of his friend Carlo Aretino, in 1453,
no one was found more fitting for the post of Chancellor to the
Republic. As an increase of dignity, Poggio fulfilled the office of
Prior, and sat among the Signory. The 'History of the Florentine
Republic,' written in continuation of Lionardo Aretino's, occupied the
closing years of his life. He left it still unfinished in the year
1459, when he died, and was buried in the Church of Santa Croce. I
cannot find that his funeral was accompanied by the peculiar honours
voted in the case of his two predecessors. The Florentines, however,
erected his statue on the façade of Santa Maria del Fiore, and placed
his picture by Antonio dal Pollajuolo in the hall of the Proconsolo.
The fate of this statue, a work of Donatello's, was not a little
curious. On the occasion of some alterations in 1560, it was removed
from its first station, and set up as one among the Twelve Apostles in
another part of the cathedral.
Public-domain text, read in full here on John Shaqi.
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