Renaissance in Italy, Volumes 6 and 7 (of 7): The Catholic ReactionSymonds, John Addington
History
Renaissance in Italy, Volumes 6 and 7 (of 7): The Catholic Reaction
Symonds, John Addington
Catholic Church -- Italy -- History; Renaissance -- Italy
On this auspicious occasion he cut off half the beard which he
still wore in sign of mourning!
The Duke and Duchess of Urbino made their entrance into Bologna on the
same day. Francesco Maria della Rovere, Duke of Urbino, Prefect of Rome,
and Captain General of the armies of the Church, was one of the most
noted warriors of that time. Yet victory had rarely crowned his brows
with laurels. Imitating the cautious tactics of Braccio, and emulating
the fame of Fabius Cunctator, he reduced the art of war to a system of
manoeuvres, and rarely risked his fortune in the field. It was chiefly
due to his dilatory movements that the disaster of the Sack of Rome was
not averted. He had been expelled by Leo X. from his duchy to make room
for Lorenzo de'Medici, and report ran that a secret desire to witness
the humiliation of a Medicean Pontiff caused him to withhold his forces
from attacking the tumultuary troops of Bourbon. Francesco Maria was a
man of violent temper; nineteen years before, he had murdered the Pope's
Legate, Cardinal Francesco Alidosi, with his dagger, in the open
streets of Bologna. His wife, Eleanora Ippolita Gonzaga, presided with
grace over that brilliant and cultivated Court which Castiglione made
famous by his _Cortegiano_. The Duke and Duchess survive to posterity in
two masterpieces of portraiture by the hand of Titian which now adorn
the Gallery of the Uffizzi.
February 24, which was the anniversary of Charles's birthday, had been
fixed for his coronation as Emperor in San Petronio. This church is one
of the largest Gothic buildings in Italy. Its facade occupies the
southern side of the piazza. The western side, on the left of the
church, is taken up by the Palazzo Pubblico. In order to facilitate the
passage of the Pope and Emperor with their Courts and train of princes
from the palace to the cathedral, a wooden bridge wide enough to take
six men abreast was constructed from an opening in the Hall of the
Ancients. The bridge descended by a gradual line to the piazza,
broadened out into a platform before the front of San Petronio, and then
again ascended through the nave to the high altar. It was covered with
blue draperies, and so arranged that the vast multitudes assembled in
the square and church to see the ceremony had free access to it on all
sides. On the morning of the 24th, the solemn procession issued from the
palace, and defiled in order down the gangway. Clement was borne aloft
by Pontifical grooms in their red liveries. He wore the tiara and a cope
of state fastened by Cellini's famous stud, in which blazed the
Burgundian diamond of Charles the Bold. Charles walked in royal robes
attended by the Count of Nassau and Don Pietro di Toledo, the Viceroy of
Naples, who afterwards gave his name to the chief street in that city.
Before him went the Marquis of Montferrat, bearing the scepter; Philip,
Duke of Bavaria, carrying the golden orb; the Duke of Urbino, with the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account