Representation of Deities of the Maya ManuscriptsSchellhas, Paul
Religion
Representation of Deities of the Maya Manuscripts
Schellhas, Paul
Manuscripts, Maya; Mayas -- Antiquities
Fig. 60 is its hieroglyph. It is the symbol of the death-god and the
bearer of the lightning. The latter follows quite clearly from the
picture in Dr. 40b where the god is distinguished by its hieroglyph.
This animal is again represented in Dr. 7a, 13c on the right, 21b with
its hieroglyph, 29a, 30a (forming a part of 31a, where god B holds the
bound dog by the tail), and 39a without the hieroglyph, 47 (bottom) with
a variant of the hieroglyph.
In Dr. 36a the dog bears the Akbal-sign on its forehead. The writing
above it contains a variant of the hieroglyph for the dog; this is the
third of the rubric. It shows (somewhat difficult of recognition) the
Akbal-sign on the forehead of the dog's head occurring in it, and on the
back of the head the Kin-sign, as symbols of the alternation of day and
night. The same sign occurs again with adjuncts in Dr. 74 (last line, 2nd
sign) and once with the _death-god_ in Dr. 8a. The dog as
lightning-beast occurs with the Akbal-sign in the eye instead of on the
forehead in Codex Tro. 23*a; here again its hieroglyph is an entirely
different one (the third of the rubric).
That the dog belongs to the death-god is proved beyond a doubt by the
regular recurrence in the writing belonging to the dog, of the
hieroglyphs, which relate to this deity, especially of Fig. 5. According
to Foerstemann his day is Oc.
4. THE VULTURE.
[Illustration: Fig. 61]
This bird is distinctly pictured as a mythological figure in Dr. 8a. It
appears again, in feminine form, together with the dog, in Dr. 13c and
also in 19a. In the first passage, its hieroglyph is almost effaced; the
hieroglyph is very striking and occurs nowhere else in the whole
collection of manuscripts. The body of this animal-deity is striped black
and white; in Dr. 38b it is almost entirely black. The same passage
displays a second hieroglyph for this figure (Fig. 61); this hieroglyph
also occurs with the numeral 4 in Dr. 56b. In Dr. 36b this bird of prey
is pictured fighting with the serpent; its hieroglyph occurs in the
second form; the serpent is designated by the Chuen, the gaping jaws of
the serpent (first character of the rubric).
Finally it should be mentioned that the head of this bird occurs
frequently as a head ornament, thus in Dr. 11a, 11b, 12b and 14b.
Mention should also be made of the realistic representations of the
vulture, eating the eye of a human sacrifice (Dr. 3, Tro. 26*a and
27*a).
According to Foerstemann his day is Cib.
5. The Jaguar.
[Illustration: Fig. 62]
The jaguar is likewise an animal with mythological significance. It is
represented in Dr. 8a, where its hieroglyph is the third sign in the
writing; it also occurs in Dr. 26 (at the top). It occurs in Tro. 17 (at
the end) with a hieroglyph which represents the jaguar's head and
contains the numeral 4 (Fig. 62); again it appears without a hieroglyph
on p. 20 (bottom) and on 21 and 22 (bottom).
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