Representative English Comedies, v. 1. From the beginnings to Shakespeare — John Shaqi
Representative English Comedies, v. 1. From the beginnings to Shakespeare
General
Representative English Comedies, v. 1. From the beginnings to Shakespeare
English drama (Comedy)
Concerning the plays of the miracles of saints I have already expressed
the belief that, whether these workers of marvels got off with their
lives or not, the representations in which they figured were, generally
speaking, of the essence of comedy: the persistent optimism which in
the end routs the spectres of temptation, persecution, and unbelief.
This would hold, with even greater probability, of the purely legendary
miracles, the nature of which is, of course, that of popular religious
thought and faith in the Middle Ages, and is embalmed for us in the
_Golden Legend_, in Eusebius and St. Jerome, and other writers from
whom the legend was derived. In spite of their exceeding interest,
these legendary saints' plays and pageants can be considered in this
place only with brevity; but in order that the reader may better
appreciate the variety of their subjects and the extent of the period
over which they were acted, I subjoin a list of some that we know to
have been presented.[32]
I have little doubt that the romantic combination of tragic,
marvellous, and comic later noticeable upon the Elizabethan stage was
in some degree due to the ancient and continuous dramatization of the
irrational adventures, blood-curdling tortures, and dissonant emotions
afforded by the legends of the saints. These 'marvels,' moreover, must,
because of their early emancipation from ecclesiastical restraints and
their adoption by the folk, have contributed to the development of the
freely invented, surprising, and amusing fable which is congenial to
comedy. That we have not more notices of them is owing, not to their
insignificance nor to any disappearance before the advancing popularity
of the craft cycles, for even the pageants of the saints still flourish
in Aberdeen as late as 1531, and the plays elsewhere much later,
but, as Ebert has already noted, to the fact that they were seldom
presented with the magnificence and publicity of the cyclic miracles;
but whenever a saint's play is taken up by a city or gild, it enjoys
frequent official notice and maintains its dignity for years.
Public-domain text, read in full here on John Shaqi.
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