Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy — John Shaqi
Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, AnarchyMacKaye, Steele
General
Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy
MacKaye, Steele
American drama
My child, prepare to leave this house to-night, in haste and in
secret.
[_Exit with_ GOUROC.
DIANE.
Fly from this house to-night?--No! I will not go! And yet I must, or
tell my father the secret I have kept from him so long.
PAUL.
[_Outside_.]
I am not at home to anyone. I will not brook intrusion here.
NANETTE.
[_Outside_.]
I'll keep out all I can.
DIANE.
Paul is coming!--How can I tell him we must part?
[PAUL _enters_. DIANE _turns quickly toward him_.
PAUL.
[_Absorbed in documents he is carrying. Crossing slowly to desk, he
lays the papers down and, turning, sees_ DIANE.]
Diane! Thank heaven you're alone!
[DIANE _checks him by a warning gesture; crosses quickly to the
door, listens a moment, then slowly approaches_ PAUL, _looking back
anxiously_.]
Have you no word of welcome for a very weary friend?
DIANE.
[_Throwing herself with nervous impetuosity into his arms_.]
Ah, Paul! God bless and keep you!
PAUL.
God blessed me beyond measure, when he made your heart my own.
DIANE.
[_Leading him with nervous intensity to a chair_.]
Sit here--sit here!
[_She sits beside him_.]
Let me look at your face, and listen to your voice, while I can--while
I can!
PAUL.
How strangely you say this!
DIANE.
Do you remember the old days--before this reign of terror darkened all
our lives--the sunny room in my father's chateau, where you taught
me to paint the flowers we had gathered--oh! so gaily!--from the
quaintest corners of the garden?
PAUL.
Ah! those were ideal days.--You, almost a child--a girl just blooming
into womanhood, like those rosebuds in your hair.
DIANE.
Oh, how happy I was!--So happy, earth seemed heaven! So happy, sorrow
seemed almost a myth!--I little dreamed that I would ever drink the
bitterest dregs of that black cup.--The Revolution rushed upon us--and
then, oh then!--
[_Hides her face on_ PAUL'S _breast_.
PAUL.
Then we parted, I thought forever.
DIANE.
You came no longer. The sunshine lost its smile--the flowers faded.
PAUL.
And yet, amidst the fearful tumult of these distracted times, we met
once more.
DIANE.
[_Starting up_.]
Oh, my God! That meeting! I see the frightful scene again! My father
there before me--old--helpless, dragged from his own house by a horde
of brutal beasts.--I, shrieking, fighting vainly at his side--amidst
their mocking laughs and jeers. Ah! I can hear them now--yes, and
high above their hideous jests, rings out a clarion voice--'tis
yours--silencing this crowd of curs!--With what sublime audacity you
claim my father as your cousin, saving him and me, by the coolness of
your courage!--Paul, from that hour you were more than man to me; you
were a God, a hero, my father's Saviour!
PAUL.
[_Rising_.]
Better than all that now--your lover--guardian--husband.
[_Embraces her, then staggers_.
DIANE.
Paul--what is it?
PAUL.
Nothing,--fatigue from last night's bitter work.
[DIANE _brings wine and offers it. He puts it away_.]
Public-domain text, read in full here on John Shaqi.
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