Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, AnarchyMacKaye, Steele
General
Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy
MacKaye, Steele
American drama
And you take this time to declare it! When you have burdened me with
obligations that leave me powerless at your feet?--when I must see
in the demand for the daughter's hand, a possible bargain for the
father's life.
[PAUL _turns fiercely. The_ DUKE _checks him_.]
No more, sir! Happily I have two securities against dishonour:
my child's sense of what is due to herself--my own scorn of life
purchased at such a price.
PAUL.
Perhaps your daughter may not deem the protection of my name so great
a degradation as yourself.--Dare you put her to the test?
DUKE.
What test can you propose?
PAUL.
[_Seating himself at desk and writing_.]
Here is a pass procured at the risk of my life.--I fill it out for
George Leblanc.--It will convey you, alone, safely beyond our borders.
Here is another. I make this out for George Leblanc and Diane his
daughter. This will enable both of you to escape.--These passes have
the signatures of the chief of police; I countersign them, thus--a
double surety for you, a double risk for me.--Now, Monsieur, either
one of these passes is yours, as your daughter may decide, if you will
offer her the choice of remaining under my protection, or of leaving
France with you.
DUKE.
[_Striking a bell_.]
The choice is at her will.
[_Enter_ NANETTE.]
Send my daughter here at once.
[_Exit_ NANETTE.
PAUL.
One word, Monsieur. These passes are at stake, and my life as well. I
promise to be bound by the decision of your daughter.--If she decides
to remain, you promise to go and leave her here with me?
DUKE. I promise this on one condition. I pledge my honour to put the
alternative fairly before her. You must pledge yours to use no word to
influence her choice.
PAUL.
I pledge myself to silence.
DIANE.
[_Entering pale and anxious_.]
You sent for me, Father?
DUKE.
I did. Listen, child. I am about to leave France. By my side there is
peril--here is safety. Answer frankly: will you follow me, or remain
here under the protection of Monsieur Kauvar?
DIANE.
[_Aside_.]
What can this mean? He could not ask this if he knew the truth.
[_Aloud_.]
Father, I do not understand.--What shall I say?
DUKE.
What your heart prompts, child.
[_Turning away_.]
Nay, do not hesitate; I will not influence your choice even with a
look.
DIANE.
If I shrink from danger, if I stay here, what becomes of you?
DUKE.
I go alone.
DIANE.
Alone to meet your peril?--Then, by the bond of a daughter's duty, my
place is at my father's side.
[PAUL _staggers. The_ DUKE _retires quietly to desk_. DIANE _speaks
aside to_ PAUL.]
Remember he is old, with none but me to comfort his last days.
PAUL.
[_With stern self-control_.]
Monsieur, the double pass for George Leblanc and Diane his daughter
has been fairly won.
[_Hands the pass to the_ DUKE, _bows coldly, and leaves the room
without a look at_ DIANE, _who falls into a chair and hides her face_.
DUKE.
[_Looking suspiciously at_ DIANE.]
Public-domain text, read in full here on John Shaqi.
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