Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy — John Shaqi
Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, AnarchyMacKaye, Steele
General
Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy
MacKaye, Steele
American drama
[_Takes up pen carelessly_.
GOUROC.
[_Calling off papers, as he gives them to_ PAUL _to sign_.]
Warrants for the arrest of Catherine Cler--
[PAUL _signs_.]
Maxime Berton--
[PAUL _signs_.]
Marie Legrand--
[PAUL _signs_.]
And this blank warrant for a suspected party, whose name that fool
Potin has registered so badly that I must get him to decipher it
before I can fill it in.
[PAUL _signs mechanically_.]
[_Aside_.]
Tis done!--And she is mine!
[_Aloud_.]
Shall you be at the club to-night, friend?
PAUL.
[_Shortly_.]
No!
[_Night comes on_.
GOUROC.
What excuse shall I offer the fraternity?
PAUL.
Say I am busy--busy--[_Striking his breast_.] breaking the heart of a
traitor to France!
GOUROC.
[_Going_.]
A welcome message.--I sha'n't forget it.
[_Exit_.
PAUL.
Wife gone!--Home desolated!--Naught left but the haunting memory of
joy forever lost!--Ah, I am weary, heart-broken--helpless!
[_He sinks into the chair at desk, and buries his face in his arms.
Slowly the light dims to darkness. At back, the stage is transformed
into a_ TABLEAU OF KAUVAR'S DREAM OF ANARCHY.
_Mysterious music accompanies the Dream, which consists of a tableau
of the guillotine in the Place de la Revolution, in Paris, by
moonlight.
Here is seen the scaffold, with its ghastly paraphernalia, surrounded
by ferocious_ SANS CULOTTES, _and_ GENS D'ARMES. _Amidst them is an
old hag.
The death-cart, with its load of victims, is seen in the
foreground--the entrance to the garden with the palace of the
Tuilleries in the background.
The_ HEADSMAN _stands ready, near the knife of the guillotine.
From the death-cart_ DIANE _glides on and slowly goes up the scaffold
steps.
As she reaches the top, she is seized roughly by the_ HEADSMAN.
_At this moment_ PAUL _starts with a cry of agony from his chair--and
at his shriek, the whole Tableau of the Dream instantly disappears_.
PAUL.
[_Starting up wildly_.]
No, no!--My life for hers!--My life for hers!
[_Waking, as the Dream disappears, he looks about dazed and
bewildered; then bursts into hysterical laughter_.]
A dream!--Thank God, a dream!--Only a horrible dream!
[_Suddenly stops short in horror_.]
How dark and still the house is. My God!--Something has
happened!--What is it?
[_Shrieks with terror_.]
Diane!--Diane!
NANETTE.
[_Entering with lamp_.]
What's the matter?
PAUL.
Diane--Mademoiselle Diane, where is she?
DIANE.
[_Appearing, dressed to go away_.]
Here!
PAUL.
[_Makes a spontaneous movement toward her, then checks himself and
turns to_ NANETTE.]
Leave us!
[NANETTE _goes silently away_. PAUL _speaks to_ DIANE _hoarsely_.]
Where are you going?
DIANE.
I am going to do my duty--follow the father who would die without my
care.
PAUL.
[_After a pause_.]
Yes, I remember now.--You are right.--You will be safer out of
France.--The dream! The dream!
DIANE.
What dream?
PAUL.
No matter! I am resigned now! Yes, resigned--resigned--resigned!
[_Sinks sobbing into chair_.
Public-domain text, read in full here on John Shaqi.
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