Representative Plays by American Dramatists: 1856-1911: Rip van: Winkle — John Shaqi
Representative Plays by American Dramatists: 1856-1911: Rip van: WinkleBurke, Charles
General
Representative Plays by American Dramatists: 1856-1911: Rip van: Winkle
Burke, Charles
American drama
My blowing up! Odds bodikins and pins! I shall never be able to contain
myself! Where’s the money to pay the rent, you oaf?
RIP.
I don’t know.—Do you?
DAME.
You’ll go to prison, and that’ll be the end on’t.
RIP.
Come, no more quarrelling to-night. [We’ll](54) see about de rent money
to-morrow morning.
DAME.
To-morrow! it’s always to-morrow with you. So, Alice, you are sitting
and idling as usual, just like your brother, a precious pair of soft
pates.
RIP.
Soft [pate](55)—pretty hard I guess, or it would have been
[fructured](56) long since and dat’s a fact.
DAME.
And now, Alice, come with me that I may satisfy myself how you have
disposed of the children, for in these matters you are just such a
crawler as that vagrum there, [_Is retiring._] that terrapin!
RIP.
Terrapin! Ah, dame, I leaves you to go the whole hog, but hark’ee, my
lovey, before you go, won’t you return de leetle bottle which you manage
to get from me [last night]?(57)
DAME.
Odds bodikins, and pins! A man already drunk, and asking for more
liquor! You sha’n’t have a drop, you sot, that you shall not. The bottle
indeed! not you, eh! faith!
[_Exit with_ ALICE.
RIP.
[Tunder](58) take me if I don’t [think](59) but what she has
[finished](60) it herself, and dat’s de fact. My nose always sniffs like
a terrier’s; ’tis in de cupboard, her Hollands;—so, here goes to nibble.
_Music_.—RIP _opens the closet door cautiously, and is rummaging for a
bottle, when he treads on_ KNICKERBOCKER, _who roars out lustily_. RIP,
_in his sudden alarm, upsets the [porcelain and glass];_(_61_)_ and,
falling, rolls into the middle of the chamber, quaking in every limb, and
vociferating loudly._
RIP.
Help! murder! fire! thieves!
KNICKERBOCKER, [_in the interim_](62), _darts out of the closet, and,
[beyond the consciousness of future proceeding]_(_63_)_, throws himself
into the arm-chair_.—ALICE, _entering hastily, throws a cloak over him,
which hides him from observation_.—DAME _enters, alarmed._
DAME.
Odds bodikins and pins! what’s the matter, now?
RIP.
[_Raising his head cautiously._] Matter, indeed! [the devil’s](64) in
the cupboard! Oh, la! I’ll be swammed.
DAME.
In the cupboard!—[_Going there, sees china broken; squalling._]—All my
fine porcelain destroyed! monster! vile, rapacious monster! A devil,
indeed, has been in the cupboard, and that’s you. The china, presented
to me by my grand relations, which I set such store on, smashed into a
thousand pieces; ’tis too much for my weak nerves. I shall swoon! I
shall faint! [_She sinks in the arm-chair, but immediately starts up,
and, squalling, falls into _RIP’S _arms._—KNICKERBOCKER _regains the
closet, unobserved by all, save_ ALICE.
DAME.
Heaven have mercy on us! there was somebody in the chair! somebody in
the chair!
RIP.
Phoo! there’s nothing in de chair, save your old cloak, [_Tossing it
aside._] dat’s all.
DAME.
Public-domain text, read in full here on John Shaqi.
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