Representative Plays by American Dramatists: 1856-1911: The New York IdeaMitchell, Langdon Elwyn
General
Representative Plays by American Dramatists: 1856-1911: The New York Idea
Mitchell, Langdon Elwyn
American drama
THOMAS _comes in, preceded by_ PHILLIMORE. PHILIP PHILLIMORE
_is a self-centered, short-tempered, imperious member of the
respectable fashionables of New York. He is well and solidly
dressed, and in manner and speech evidently a man of family.
He is accustomed to being listened to in his home circle and
from the bench, and it is practically impossible for him to
believe that he can make a mistake._
GRACE. [_Outraged._] Really you know-- [CYNTHIA _moves to the table._]
Philip!
PHILIP _nods to_ GRACE _absent-mindedly. He is in his working
suit and looks tired. He walks into the room silently; goes
over to the tea-table, bends over and kisses_ CYNTHIA _on the
forehead. Goes to his chair, which_ THOMAS _has moved to suit
him. He sits, and sighs with satisfaction._
PHILIP. [_As if exhausted by brain work._] Ah, Grace! [GRACE
_immediately sails out of the room._] Well, my dear, I thought I
should never extricate myself from the court-room. You look very
debonnair!
CYNTHIA. The tea's making. You'll have your glass of sherry?
PHILIP. [_The strain of the day evidently having been severe._]
Thanks! [_Taking it from_ THOMAS _and sighing._] Ah!
CYNTHIA. I can see it's been a tiring day with you.
PHILIP. [_His great tussle with the world leaving him unworsted but
utterly spent._] H'm! [_He gratefully sips his tea._
CYNTHIA. Were the lawyers very long-winded?
PHILIP. [_Almost too tired for speech._] Prolix to the point of
somnolence. It might be affirmed without inexactitude that the
prolixity of counsel is the somnolence of the judiciary. I am
fatigued, ah! [_A little suddenly, awaking to the fact that his orders
have not been carried out to the letter._] Thomas! My _Post_ is not in
its usual place!
CYNTHIA. It's here, Philip. [THOMAS _gets it._
PHILIP. Thanks, my dear. [_Opening "The Post."_] Ah! This hour with
you--is--is really the--the-- [_Absently._] the one vivid moment of the
day. [_Reading._] H'm--shocking attack by the President on vested
interests. H'm--too bad--but it's to be expected. The people insisted
on electing a desperado to the presidential office--they must take the
hold-up that follows. [_After a pause, he reads._] H'm! His English is
lacking in idiom, his spelling in conservatism, his mind in balance,
and his character in repose.
CYNTHIA. [_Amiable but not very sympathetic._] You seem more fatigued
than usual. Another glass of sherry, Philip?
PHILIP. Oh, I ought not to--
CYNTHIA. I think you seem a little more tired than usual.
PHILIP. Perhaps I am. [_She pours out sherry._ PHILIP _takes glass but
does not sip._] Ah, this hour is truly a grateful form of restful
excitement. [_After an inspired interval._] You, too, find it--eh?
[_He looks at_ CYNTHIA.
CYNTHIA. [_With veiled sarcasm._] Decidedly.
PHILIP. Decidedly what, my dear?
CYNTHIA. [_Her sarcasm still veiled._] Restful.
Public-domain text, read in full here on John Shaqi.
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