Representative Plays by American Dramatists: 1856-1911: The New York Idea — John Shaqi
Representative Plays by American Dramatists: 1856-1911: The New York IdeaMitchell, Langdon Elwyn
General
Representative Plays by American Dramatists: 1856-1911: The New York Idea
Mitchell, Langdon Elwyn
American drama
FIDDLER _walks in. He is an English horse trainer, a
wide-awake, stocky, well-groomed little cockney. He knows his
own mind and sees life altogether through a stable door.
Well-dressed for his station, and not too young._
CYNTHIA. [_Excited and disturbed._] Fiddler? Tim Fiddler? His coming
is outrageous!
FIDDLER. A note for you, sir.
CYNTHIA. [_Impulsively._] Oh, Fiddler--is that you?
FIDDLER. Yes'm!
CYNTHIA. [_In a half whisper, still speaking on impulse._] How is she!
Cynthia K? How's Planet II and the colt and Golden Rod? How's the
whole stable? Are they well?
FIDDLER. No'm--we're all on the bum. [_Aside._] Ever since you kicked
us over!
CYNTHIA. [_Reproving him, though pleased._] Fiddler!
FIDDLER. The horses is just simply gone to Egypt since you left, and
so's the guv'nor.
CYNTHIA. [_Putting an end to_ FIDDLER.] That will do, Fiddler.
FIDDLER. I'm waiting for an answer, sir.
CYNTHIA. What is it, Philip?
PHILIP. [_Uncomfortable._] A mere matter of business. [_Aside to_
FIDDLER.] The answer is, Mr. Karslake can come. The--the coast will be
clear. [FIDDLER _goes out._
CYNTHIA. [_Amazed; rising._] You're not going to see him?
PHILIP. But Karslake, my dear, is an old acquaintance of mine. He
argues cases before me. I will see that you do not have to meet him.
[CYNTHIA _walks the length of the room in excited dejection._
MATTHEW _comes in. He is a High-church clergyman to a highly
fashionable congregation. His success is partly due to his
social position and partly to his elegance of speech, but
chiefly to his inherent amiability, which leaves the sinner
in happy peace and smiles on the just and unjust alike._
MATTHEW. [_Most amiably._] Ah, my dear brother!
PHILIP. [_Greeting him._] Matthew.
MATTHEW. [_Nodding to_ PHILIP.] Good afternoon, my dear Cynthia. How
charming you look! [CYNTHIA _sits down at the tea-table. To_
CYNTHIA.] Ah, why weren't you in your pew yesterday? I preached a most
original sermon.
[_He lays his hat and cane on the divan._
THOMAS. [_Aside to_ PHILIP.] Sir, Mrs. Vida Phillimore's maid called
you up on the telephone, and you're to expect Mrs. Phillimore on a
matter of business.
PHILIP. [_Astonished and disgusted._] Here, impossible! [_To_
CYNTHIA.] Excuse me, my dear! [PHILIP, _much embarrassed, goes out,
followed by_ THOMAS.
Public-domain text, read in full here on John Shaqi.
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