one to it. It made the same prodigious display of bright brazen
wind-instruments, horribly twisted, worth, as I should conceive, some
thousands of pounds, and which it is utterly impossible that anybody in
any season can ever play or want to play. It had five triangles in the
window, six pairs of castanets, and three harps; likewise every polka
with a coloured frontispiece that ever was published; from the original
one where a smooth male and female Pole of high rank are coming at the
observer with their arms a-kimbo, to the Ratcatcher’s Daughter.
Astonishing establishment, amazing enigma! Three other shops were pretty
much out of the season, what they were used to be in it. First, the shop
where they sell the sailors’ watches, which had still the old collection
of enormous timekeepers, apparently designed to break a fall from the
masthead: with places to wind them up, like fire-plugs. Secondly, the
shop where they sell the sailors’ clothing, which displayed the old
sou’-westers, and the old oily suits, and the old pea-jackets, and the
old one sea-chest, with its handles like a pair of rope ear-rings.
Thirdly, the unchangeable shop for the sale of literature that has been
left behind. Here, Dr. Faustus was still going down to very red and
yellow perdition, under the superintendence of three green personages of
a scaly humour, with excrescential serpents growing out of their
blade-bones. Here, the Golden Dreamer, and the Norwood Fortune Teller,
were still on sale at sixpence each, with instructions for making the
dumb cake, and reading destinies in tea-cups, and with a picture of a
young woman with a high waist lying on a sofa in an attitude so
uncomfortable as almost to account for her dreaming at one and the same
time of a conflagration, a shipwreck, an earthquake, a skeleton, a
church-porch, lightning, funerals performed, and a young man in a bright
blue coat and canary pantaloons. Here, were Little Warblers and
Fairburn’s Comic Songsters. Here, too, were ballads on the old ballad
paper and in the old confusion of types; with an old man in a cocked hat,
and an arm-chair, for the illustration to Will Watch the bold Smuggler;
and the Friar of Orders Grey, represented by a little girl in a hoop,
with a ship in the distance. All these as of yore, when they were
infinite delights to me!
It took me so long fully to relish these many enjoyments, that I had not
more than an hour before bedtime to devote to Madame Roland. We got on
admirably together on the subject of her convent education, and I rose
next morning with the full conviction that the day for the great chapter
was at last arrived.
Public-domain text, read in full here on John Shaqi.
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