'How shall a man obscurely situated, never in his life delighting in public entertainments, nor in his youth able to frequent them from narrowness of fortune; one of the most attentive of men to the calls of business--his situation for many years producing little but prospects of a numerous family--a business that seldom called him abroad when he might in the course of it see and know a little of the world, as some employments give opportunities to do--naturally shy and sheepish, and wanting more encouragement by smiles to draw him out than anybody thought it worth their while to give him--and blest (in this he will say blest) with a mind that set him above dependence, and making an absolute reliance on Providence and his own endeavours--how I say, shall such a man pretend to describe and enter into characters in upper life?' However, he set about it, and in 1754 produced _Sir Charles Grandison_, or as he had originally intended to call it, the _Good Man_, in six octavo volumes. I am not going to say he entirely succeeded with his good man, who I know has been called an odious prig. I have read _Sir Charles Grandison_ once--I cannot promise ever to read it again, and yet who knows what may happen? Sir Walter Scott, in his delightful, good-humoured fashion, tells a tale of a venerable lady of his acquaintance, who, when she became subject to drowsy fits, chose to have _Sir Charles_ read to her as she sat in her elbow chair in preference to any other work; because, said she, 'should I drop asleep in the course of the reading, I am sure when I awake I shall have lost none of the story, but shall find the party where I left them, conversing in the cedar-parlour.' After _Sir Charles_, Richardson wrote no more. Indeed, there was nothing to write about, unless he had taken the advice of a morose clerical friend who wrote to him: 'I hope you intend to give us a bad woman--expensive, imperious, lewd, and, at last, a drammer. This is a fruitful and necessary subject which will strike and entertain to a miracle.' Mr. Richardson replied jocosely that if the Rev. Mr. Skelton would only sketch the she-devil for him, he would find room for her somewhere, and the subject dropped. The wife of the celebrated German poet, Klopstock, wrote to him in her broken English: 'Having finished your _Clarissa_ (oh, the heavenly book!) I would prayed you to write the history of a manly _Clarissa_, but I had not courage enough at that time. I should have it no more to-day, as this is only my first English letter; but I am now Klopstock's wife, and then I was only the single young girl. You have since written the manly _Clarissa_ without my prayer. Oh, you have done it to the great joy and thanks of all your happy readers! Now you can write no more. You must write the history of an Angel.'