Personally, we cannot force ourselves to bewail his agility, this
leaping from bough to bough of the tree of talk and discussion. It
argues an interest in things, a wide-eyed curiosity. If you find
yourself in a village fair you do well to examine the booths, and when
you bring your purchases home, the domestic authority will be wise not
to scan too severely the trivial wares never meant to please a critical
taste or to last a lifetime. Mr. Arnold certainly brought home some very
queer things from his village fair, and was perhaps too fond of taking
them for the texts of his occasional discourses. But others must find
fault, we cannot. There is a pleasant ripple of life through Mr.
Arnold's prose writings. His judgments are human judgments. He did not
care for strange, out-of-the-way things; he had no odd tastes. He drank
wine, so he once said, because he liked it--good wine, that is. And it
was the same with poetry and books. He liked to understand what he
admired, and the longer it took him to understand anything the less
disposed he was to like it. Plain things suited him best. What he hated
most was the far-fetched. He had the greatest respect for Mr. Browning,
and was a sincere admirer of much of his poetry, but he never made the
faintest attempt to read any of the poet's later volumes. The reason
probably was that he could not be bothered. Hazlitt, in a fine passage
descriptive of the character of a scholar, says: 'Such a one lives all
his life in a dream of learning, and has never once had his sleep broken
by a real sense of things.' Mr. Arnold had a real sense of things. The
writings of such a man could hardly fail to be interesting, whatever
they might be about, even the burial of Dissenters or the cock of a
nobleman's hat.
But for all that we are of those who, when we name the name of Arnold,
mean neither the head-master of Rugby nor the author of _Culture and
Anarchy_ and _Literature and Dogma_, but the poet who sang, not, indeed,
with Wordsworth, 'The wonder and bloom of the world,' but a severer,
still more truthful strain, a life whose secret is not joy, but peace.
Public-domain text, read in full here on John Shaqi.
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