But it is time to stop. It is only possible to stop where we began.
Matthew Arnold is dead. He would have been the last man to expect anyone
to grow hysterical over the circumstance, and the first to denounce any
strained emotion. _Il n'y a pas d'homme nécessaire._ No one ever grasped
this great, this comforting, this cooling, this self-destroying truth
more cordially than he did. As I write the words, I remember how he
employed them in his preface to the second edition of _Essays in
Criticism_, where he records a conversation, I doubt not an imaginary
one, between himself and a portly jeweller from Cheapside--his
fellow-traveller on the Woodford branch of the Great Eastern line. The
traveller was greatly perturbed in his mind by the murder then lately
perpetrated in a railway carriage by the notorious Müller. Mr. Arnold
plied him with consolation. 'Suppose the worst to happen,' I said,
'suppose even yourself to be the victim--_il n'y a pas d'homme
nécessaire_--we should miss you for a day or two on the Woodford Branch,
but the great mundane movement would still go on, the gravel walks of
your villa would still be rolled, dividends would still be paid at the
bank, omnibuses would still run, there would still be the old crush at
the corner of Fenchurch Street.'
And so it proves for all--for portly jewellers and lovely poets.
'The Pillar still broods o'er the fields
Which border Ennerdale Lake,
And Egremont sleeps by the sea--
Nature is fresh as of old,
Is lovely; a mortal is dead.'
II
Lord Byron's antipathies were, as a rule, founded on some sound human
basis, and it may well be that he was quite right for hating an author
who was all author and nothing else. He could not have hated Matthew
Arnold on that score, at all events, though perhaps he might have found
some other ground for gratifying a feeling very dear to his heart. Mr.
Arnold was many other things as well as a poet, so many other things
that we need sometimes to be reminded that he was a poet. He allowed
himself to be distracted in a variety of ways, he poured himself out in
many strifes; though not exactly eager, he was certainly active. He
discoursed on numberless themes, and was interested in many things of
the kind usually called 'topics.'
Public-domain text, read in full here on John Shaqi.
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