Resonance in Singing and SpeakingFillebrown, Thomas
Science
Resonance in Singing and Speaking
Fillebrown, Thomas
Voice culture
I shall be gratified if this outcome of years of experience, constant
study, and tested methods shall prove helpful to those who seek
mastery of the art of beautiful speaking and singing.
[Illustration: [signature] Thomas Fillebrown]
CONTENTS
PREFACE vii
INTRODUCTION 1
I. THE VOCAL INSTRUMENT 6
II. THE SPEAKING VOICE AND PRONUNCIATION 16
III. BREATH CONTROL 23
IV. BREATHING EXERCISES 33
V. REGISTERS 38
VI. RESONANCE IN GENERAL 43
VII. HEAD AND NASAL RESONANCE 51
VIII. PLACING THE VOICE 56
IX. THROAT STIFFNESS 74
X. SOME GENERAL CONSIDERATIONS 77
XI. THE PSYCHOLOGY OF VOCAL CULTURE 82
BOOKS CONSULTED 86
INDEX 89
RESONANCE
IN
SINGING AND SPEAKING
INTRODUCTION
When a youth it was my lot to be surrounded by examples of faulty
vocalism, such as prevailed in a country town, and to be subjected to
the errors then in vogue, having at the same time small opportunity
for training in the application of principles, even as then
imperfectly taught. At middle life I had given up all attempt at
singing and had difficulty in speaking so as to be heard at any
considerable distance or for any considerable length of time.
Professional obligations to my patients, however, compelled me later
to take up the subject of vocal physiology. This I did, guided by the
ideas current on the subject.
About 1880 I became satisfied that many of the current ideas were
incorrect, and determined to start anew, and to note in detail the
action of each organ used in vocalization and articulation. To this
end I sought vocal instruction and advice, which, modified by my own
observations, have produced the most gratifying results.
Up to that time it had been held that the nasal cavities must be cut
off from the mouth by the closing of the soft palate against the back
of the throat; that the passage of ever so little of the sound above
the palate would give a nasal twang, and that the sound was reinforced
and developed only in the cavities of the throat and mouth. My
practice in Oral Surgery, coupled with my own vocal studies exposed
this fallacy and revealed to me the true value of nasal resonance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account