After the child begins to talk, the sooner his vocal education begins the better. Even at that early age he can be made to understand the merits of head vibrations and by simple exercises produce them, and once taught will never forget them. Vocalizing, like every other art, is most easily learned by imitation, and the advantage of the early years, when that faculty is most active, should not be lost. In olden times the importance of this was fully realized. More than three centuries ago, old Roger Ascham wrote: "All languages, both learned and mother tongues, are begotten and gotten solely by imitation. For as ye used to hear so ye learn to speak. If ye hear no other, ye speak not yourself; and of whom ye only hear, of them ye only learn." Nineteen centuries ago Quintillian wrote: "Before all let the nurses speak properly. The boy will hear them first and will try to shape his words by imitating them." If the right way of using the voice is early taught it will be a guard against the contraction of bad habits which can only be corrected later with infinite trouble. It certainly would be unwise to put a young child under continued training; but even in the kindergarten the right method of voice production can and should be taught. Teachers of kindergarten and primary schools should be familiar with the principles of voice training and be able to start the pupils at once on the right road. IN PUBLIC SCHOOLS The sooner this branch of education is made a part of the curriculum of our common schools, the sooner shall we produce a race of good speakers and singers. If, during the pupil's school life, proper attention is paid to these primary principles and to _correct articulation_, a large majority of students will graduate from our common schools prepared to advance in the art of elocution or of singing without being obliged first to unlearn a vast amount of error and to correct a long list of bad habits. If each day in the public schools a few minutes only are devoted to the subject by a teacher who understands it and who will call the attention of the pupils to the proper applications of the principles in their daily recitations, it will be found amply sufficient to develop and establish a good speaking and singing voice. ARTISTRY If artistry is to be attained, every organ must be individually well trained. Yet, during performance, no one part should be given undue prominence. The voice should be the product of all the organs equally well developed. Continued practice will enable the performer to correlate the whole--blend the strength of all in one.