“I am in a hatefully false position. I ought to have told you long ago all about it. It seemed impossible at the time, and so from time to time, to open the shut book. I closed it deliberately, and from the time of doing it until this moment I have never spoken of it even to myself. Chevenix, who knew her well, broke it open unawares yesterday, and now we must read in it, you and I.” He stopped, took breath, and began again. “I don't see how you can forgive me, or how I can, so to speak, look myself in the face again. I have played the knave so long with you that it is perhaps the greatest knavery I can commit to be honest at last. But I am going to do it, Mary. I want to tell you the whole story. You have told me yours.” Her eyes flickered at that, but she said nothing. Passive as she sat, heavy in judgment, she was yet keenly interested. All her wits were at work, commenting, comparing, judging, and weighing every word that he said. He told her a strange, incoherent story of poet's love. This mysterious, shrouded Sanchia figured in it as the goddess of a shrine--omnipresent, a felt influence, yet never a woman. He spoke her name with a drop of the voice; every act of hers, as he related it, was coloured by sanction to seem the dealing of a divine person with creeping mankind. To Mrs. Germain it was all preposterous; if she had owned the humorous sense it would have been tragically absurd. For what did it amount to, pray, but this, that Jack Senhouse had been in love with a girl who had loved somebody else, had married her choice, and was now repenting it? Jack, then, in a pique, had trifled with her, Mary Germain, and made love to her. Now he found that this Sanchia was to be seen he was for jumping back. Was he to jump, or not to jump? Did it lie with her? Jack seemed to think that it did.