The group behind him sloped sharply up to the ridge, which we call the Race-Plain in those parts, and had nourished, when he first took up his rest below it, little but nettles, mulleins, and scrub of elder. A few fair trees--ash, thorn, spindle, service--struggled with the undergrowth which should live. He was for the trees, needing their shade; cleared the ground, terraced it with infinite pains, and utilised the water of a mist pool which he had made on the high land by a system of canals of remarkable neatness and ingenuity. Tree-trunks, split and hollowed out, conveyed what water he wanted as and whither he would. To the west of his dwelling the slope was gentler, and there woods and brake-fern grew peacefully together and made a fine refuge from the heats. Behind this shelter, hidden from sight of the house, he had a broad lynch for his vegetables, and grew and protected them to be the envy and despair of rabbits. In the woods, and below, in the valley bottom, where wind-sown thorns made a natural park, his goats found eatage. He reserved the terraces about the house for the flowers which he loved and understood. He was an expert gardener, who in his day had been famous for his skill in naturalisation. His feats in this work have made a stir beyond our shores. Alpine plants grow wild upon English rock-faces at his whim, irises from the glaring crags of the Caucasus spread out their filmy wings, when he bids them, on Devonshire tors. These wonders he chose not to repeat--for reasons. Pence, to begin with, failed him. The work itself was associated with the happiest and the saddest moments of his life; he had not the heart to begin it. Moreover, in the course of his year's work of house-building and settling in, he had kept an eye for Nature's way in his valley, and when it came to making a flower-garden he found that she had one there to his hand. He said, “Nothing is lovelier in flowers than true colour. Form is nothing to Nature; it is one of Art's tricks. Here I may have a succession of pure washes by mere concentration of what I find. The downs give me everything; all I have to do is to group them. “Here is my design. For early spring, cowslips in a cloud. Scattered broadcast, they are happy accidents which you come upon walking; but if you mass them their scent tells, and you find they are nearer the colour of oranges than of limes.