Rest Harrow: A Comedy of ResolutionHewlett, Maurice
General
Rest Harrow: A Comedy of Resolution
Hewlett, Maurice
Fiction
If you were alone, waiting in the room, you would glance at the
photographs perched about, like alighting butterflies, upon piano and
mantelshelf and occasional table. You would pass over, I believe,
the children on ponies and in sailor suits, that elderly, ample lady,
brooched and in black, beaming under the status of Grandmamma, that
gaitered gentleman with a square-topped felt hat upon his head and
grizzled whiskers below his ears, in favour of a group of five girls
in black muslin and lace, sisters evidently, prosperously together, an
uncommonly happy five. They look on good terms with themselves and with
each other. They look frankly at you out of the frame--and how they
must have dazzled the photographer with their five pair of bright,
uncompromising eyes! Hands rest easily upon familiar shoulders, elbows
on knees. One of them smiles outright, two are very ready to smile; one
is more serious, as becomes the eldest of five; and one is round-cheeked
and solemn--the baby.
Miss Percival and her sisters, it's clear. One can't mistake the rounded
chin, the level brows, the promise of womanhood. Women should always be
photographed in evening dress if, like the Misses Percival, they have
nothing to hide. But now to pick out our Miss Percival. You will observe
that the young ladies' names are neatly printed beneath their persons.
Even if I were sure of dates, I should not insist upon the serious one.
So far as I can judge, the photograph is some eight or ten years old. I
go by the style of hair-dressing which it shows, and by the name of the
photographer, who signs from Wigmore Street. He is out of date; fashion
has deserted him. Then that grave, watchful young goddess, who sits
enthroned with her nymphs about her, must be a great deal older than our
lady of this room, of the doubtful smile and friendly desires. She has
the sedate air of eight-and-twenty, and by this time must be thirty-six
or even more. She is Philippa, anyhow, we read. Who comes next? Here is
Hawise, standing behind her of the throne and the centre, with a hand on
her bare shoulder. She is laughing, sleepily; she is distinctly pretty,
but distinctly, also, fat. She cannot be the owner of this room.
Public-domain text, read in full here on John Shaqi.
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