Rest Harrow: A Comedy of ResolutionHewlett, Maurice
General
Rest Harrow: A Comedy of Resolution
Hewlett, Maurice
Fiction
I call your attention to one more photograph, in marked distinction to
others of your notice. Those were, in every sense, full--dress affairs;
this one, in all senses, undress. It is the work of an amateur, you
can see at once--small, rather blurred to begin with, not perfectly
focussed, and fading now towards the end of all such gear. It represents
a bareheaded young lady in a white gown pinned very high. She is
standing in a pond, with the water well over her knees. One hand keeps
her balance with a pole, the other grasps a streamer of water-weed.
Floating beyond her upon some kind of raft is a man, bareheaded also, in
a white sweater with a rolling collar. His face is shadowed--you can see
that his hair, black and straight, falls over his eyes. He is raking up
the weed with his hand, his arm bare to the shoulder. Below is written,
in a round, sprawling hand, “To Sanchia from Percy.” Both the workers
are intent upon their task, with no idea that they are posing. The girl
has a Greek face, and a very fine pair of legs heedlessly displayed. The
man is as thin as a gypsy. Out of the dark in which his face is hidden
gleam his white teeth. A classical, rather than romantic scene. The
absence of draperies suggest it; but the absence of self-consciousness
is conclusive.
But I keep Miss Percival too long at the fender. She had been standing
there for some minutes after her entry, first re-reading her telegram,
next stroking her chin with it. She was thoughtful still, and still
smiling. Once she looked over her shoulder through the window to the
dying day, and lightly sighed. The time was April's end, and had
been squally, with violent storms; but the last onslaughts of the
north-wester had routed the rain-clouds. The day was dying under a clear
saffron sky, and a thrush piped its mellow elegy. Miss Percival heard
him, and listened, smiling with her lips, and with her eyes also which
the serene light soothed. Her lips barely moved, just relaxed their
firm embrace, but no more. She held the light gratefully with her eyes,
seemed unwilling to lose a moment of it, wistful to be still out of
doors. Again she lightly sighed, and presently resumed her downward
gazing at the fire.
Knuckles quavered at the door. She straightened herself, turned, and
called out definitely, “Come in.” Mrs. Benson stood before her, vast,
massive, black-gowned, cloudy for trouble, a cook.
There was instantly to be observed in Miss Percival's lifted head and
eyes the same frank appeal for interchange of sentiments as had been
manifested to Minnie the maid. Her brows were smoothed out, her smile
became less dubious; her intention to be friendly was deliberately
expressed. But truth will have it that, just as before, Mrs. Benson's
guard turned out at the same moment, as at a signal. To vary the figure,
her vedettes, in touch with the advancers, fell back upon the main body.
Public-domain text, read in full here on John Shaqi.
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