Retrospective exhibition of important works of John Singer Sargent, February 23rd to March 22nd, 1924Grand Central Art Galleries
General
Retrospective exhibition of important works of John Singer Sargent, February 23rd to March 22nd, 1924
Grand Central Art Galleries
Painting -- Exhibitions; Sargent, John Singer, 1856-1925
“A painter who has been looking at human heads for many years sees more
than the man who casually looks up to recognize an acquaintance on the
street. I do not mean that he sees more ‘character’—that is more
scholarship or conceit, or pride of purse or firmness of will or
shrewdness of thought, but merely that he sees the physical conformation
more completely than others do. Every one sooner or later moulds his own
face. It becomes marked or set or shaped in response to continued
methods of thinking and acting. When that face comes under the portrait
painter’s eye, he does not see the scholar, the banker, the senator, the
captain of industry; but he does see perhaps, certain depression of the
cheek or lines about the eyes or mouth in contractions of the lips or
protrusions of the brow or jaw that appeal to him strongly because they
are cast in shadow or thrown up sharply in relief of light. These
surface features he paints perhaps with more emphasis than they possess
in the original because they appeal to him emphatically, and presently
the peculiar look that indicates the character of the man appears. What
the look may indicate, or what kind of phase of character may be read in
or out of the look, the portrait-painter does not know or care. He
paints what he sees and has as little discernment of a character as of a
mind. He gives, perhaps, without knowing their meaning, certain
protrusions and recessions of the surface before him and lets the result
tell what it may. In the production of the portrait accurate observation
is more than half the battle. If a painter sees and knows his subject
thoroughly, he will have little trouble in telling what he sees and
knows; and to say of Sargent that he observes rightly and records truly
is to state the case in a sentence.”
OIL PAINTINGS
1 Portrait of MRS. H. F. HADDEN (1878). _Loaned by Mrs. Hadden_
2 THE LADY WITH THE ROSE—MY SISTER (1882). _Loaned by Mrs. Hadden_
3 “POINTY” (1884). _Loaned by Mrs. Hadden_
4 THE SIMPLON. _Loaned by Mrs. Montgomery Sears_
5 Portrait of MAJOR HIGGINSON _Loaned by Harvard University_
6 Portrait of EX-PRESIDENT CHARLES W. ELIOT of Harvard University
7 Portrait of PRESIDENT LOWELL. _Loaned by Harvard University_
8 LAKE O’HARA. _Loaned by Fogg Art Museum_
9 Portrait of MISS MARY ELIZABETH GARRETT. _Loaned by Johns Hopkins
University_
10 Portrait of MRS. J. WILLIAM WHITE. _Loaned by Mrs. White_
11 Portrait of MRS. FISKE WARREN AND DAUGHTER. _Loaned by Fiske
Warren, Esq._
12 Portrait of MRS. ENDICOTT. _Loaned by Mr. Wm. C. Endicott, Jr._
13 Portrait of MRS. WILLIAM HARTLEY CARNEGIE. _Loaned by Mrs.
Endicott_
14 HIS STUDIO. _Loaned by Museum of Fine Arts, Boston_
15 THE ROAD. _Loaned by Museum of Fine Arts, Boston_
16 MASTER AND PUPILS. _Loaned by Museum of Fine Arts, Boston_
17 HEAD OF JOSEPH JEFFERSON. _Loaned by Mr. Sargent_
Public-domain text, read in full here on John Shaqi.
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